| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
The Iconography of the Viola da gamba in Ganassi's Context |
2013 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Ganassi und die Gambe Anmerkungen zu Konstruktionselementen erhaltener Instrumente |
2013 |
Menzel, Kathrin
|
OpenAccessPublikationen
|
|
|
Zur Ikonographie der Viola da gamba im Umfeld Ganassis |
2013 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
It's all about Love |
2009 |
De Pinto, Pier Giorgio et al.
|
Revolving Histories
|
|
darkmatter |
2013 |
Nolla, Alejandro et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
A missing narrative of Ghana’s graphic design history |
2021 |
Okyere, Mark et al.
|
Memory Full
|
|
|
Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020) |
2022 |
Drescher, Thomas
|
OpenAccessPublikationen
|
|
|
Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi |
2013 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Notes from Amaranth Land |
2023 |
Mensch, Julia
|
Plant_Intelligence
|
|
Barcode Scenario |
From 2016 onwards |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
|
|
|
ENTSCHMÜCKT: ÜBER DAS WIESO UND WOMIT DES SCHMÜCKENS |
2022 |
Frehsner, Samira Kasha
|
HyperWerk
|
|
|
ENTSCHMÜCKT: ÜBER DAS WIESO UND WOMIT DES SCHMÜCKENS |
2022 |
Frehsner, Samira Kasha
|
HyperWerk
|
|
|
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 |
Lucas, Frances
|
Diplom HGK
|
|
|
International Politics on Screens - A Critical Inquiry into Representations of Current Affairs Content in Moving Image Media |
2015 |
Giannone, Carola et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Understanding the Italian Trumpeters’ Method The Trumpet Ensemble Contribution to Schütz’s Psalm Settings |
2021 |
Downey, Peter
|
OpenAccessPublikationen
|
|
|
Exchange Oasis Austauschoase |
2023 |
Rasiah, Merusan
|
HyperWerk
|
|
|
So Rund Und Zwei Rutschi Uf Em Dach |
Alessio, Marco
|
HyperWerk
|
|
|
|
Authentisch |
2018 |
Riggenbach, Fanny
|
HyperWerk
|
|
|
mobilis |
2014 |
Bänziger, Benjamin
|
HyperWerk
|
|
|
Perspiraterie |
2014 |
Schäfer, Felicia
|
HyperWerk
|
|
Detrás de la Noche [Behind the Night] |
2025 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
Silvestro Ganassis «viola d’arco tastada» Bericht über ein Forschungsprojekt zu ihrer Kontextualisierung und Rekonstruktion |
2013 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
Lights Off |
2016 |
Toledo, Martha et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Library of Inclusions and Omissions |
2016 |
Weinmayr, Eva
|
e-Publications
|
|
|
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 |
Tonkin, Leanne
|
Memory Full
|
|
|
Application |
2023-03-14 |
Team peripher_ies
|
Peripher_ies
|
|
|
Spontaneous reactions cannot anticipate developments over time |
2024-10-21 |
Team peripher_ies
|
Peripher_ies
|
|
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
Long Lake Festival, Lugano
|
|
|
The other of us - At what point does AI become Human? |
2018 |
Simeonidou, Despina et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
FAKT |
2012 |
Gschwind, Jonas
|
HyperWerk
|
|
|
La guitare en France vers 1800 Textes du projet de recherche |
2014 |
Valois, Pascal
|
OpenAccessPublikationen
|
|
|
Rybeben am Hof Maximilians I. |
2015 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary |
2017 |
OpenAccessPublikationen
|
|
|
|
Re-engaging with Design History through the Practical Turn |
2021 |
Eggink, Wouter et al.
|
Memory Full
|
|
|
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis |
2020 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
Sichtbar, Unsichtbar |
2015-04-11 |
Steinegger, Simone et al.
|
ACT Performance Festival
|