| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Publikum/Event |
2010-04-11 |
ACT Performance Festival
|
|
|
|
Language Is Skin. I Rub My Language Against The Other. |
2015-04-10 |
Rüegger, Romy
|
ACT Performance Festival
|
|
Orphée et une allégorie de la musique |
1633 - 1682 |
Le Pautre, Jean
|
GrandeEcurie
|
|
|
Das fremde Gesicht |
2015-04-11 |
Stiffler, Alexandra
|
ACT Performance Festival
|
|
|
2017-04-11 |
Praxmarer, Moritz
|
ACT Performance Festival
|
|
|
|
DINO |
2004 |
Eller, Tomas
|
Videocity_memoriav
|
|
|
I poyde Barlaam na urata od Palaca Excerpt from “Barlaam and Josaphat” |
2023 |
Dialogos, Ensemble et al.
|
HSM-Datenbanken
|
|
Reglement betreffend den Unterricht der Tamburen (Generalmarsch, Sammlung, Ordinarimarsch), Bern 1788 |
1788 |
GrandeEcurie
|
|
|
|
Die «Tambours» am Hof Ludwigs XIV. und Ludwigs XV. |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Jean-Baptiste Prin, Traité sur la trompette marine, 1742 Transkription und deutsche Übersetzung von Thilo Hirsch |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
Contrebasse de hautbois/cromorne, ~1750 |
1720-1783 |
Heise, Johann Conrad
|
GrandeEcurie
|
|
|
Corona Concert |
2020-04-24, 19:00 |
Kessler, Gabriel
|
ACT Performance Festival
|
|
|
Videodokumentation |
2006-04-22 |
Guye-Bergeret, Philippe et al.
|
ACT Performance Festival
|
|
|
Videodokumentation |
2006-04-22 |
Sidler, Celia et al.
|
ACT Performance Festival
|
|
|
Videodokumentation |
2006-04-22 |
Billari, Domenico et al.
|
ACT Performance Festival
|
|
|
Videodokumentation |
2006-04-22 |
Schüpbach, Dina et al.
|
ACT Performance Festival
|
|
Cromorne, 1761 |
1761 |
Garsault, François Alexandre Pierre de
|
GrandeEcurie
|
|
|
Moderation |
2015-04-10 |
Mathis, Muda
|
ACT Performance Festival
|
|
Nachbau des Tambour von 1689 (Musikmuseum Basel, Inv.Nr.: 1872/84), 2009 |
2009 |
Büchler, Walter et al.
|
GrandeEcurie
|
|
|
Very-Tale |
2010-04-11 |
Spoolder, Mirjam
|
ACT Performance Festival
|
|
|
2017-04-22 |
Welburn, Astrid
|
ACT Performance Festival
|
|
|
Le Pont-Neuf vu de l'entrée de la place Dauphine, ~1635 |
1635 |
GrandeEcurie
|
|
|
|
2018-04-22 |
Schmidt, Jonas
|
ACT Performance Festival
|
|
|
|
2018-04-22 |
Scheurer, Rahel
|
ACT Performance Festival
|
|
|
|
You love me, I love you, We love you too |
2018-04-22 |
Rück, Sebastien
|
ACT Performance Festival
|
|
|
Jeu d'enfant. Tirelire, monnaie. |
2015-04-11 |
Stirnimann, Nathalie
|
ACT Performance Festival
|
|
Avril ou le château de Versailles, 1668 |
1668 |
Lebrun, Charles
|
GrandeEcurie
|
|
|
Ein Polyamorie Manifest |
Bärz, Julie
|
ACT Performance Festival
|
|
|
|
Audiodokumentation |
2015-04-11 |
ACT Performance Festival
|
|
|
|
Basler Bibliographie zur Historischen Musikpraxis 1974–2017 Bibliographical database for historical performance practice 1974–2017 |
2019 |
HSM-Datenbanken
|
|
|
|
70 Trillion |
2015-04-11 |
Sturm, Lou
|
ACT Performance Festival
|
|
|
Erwünschter und unerwünschter, peripher blickender Wespenfeedbackservice (offiziell) |
2012-04-05 |
Müller, Sarah Elena Chantal
|
ACT Performance Festival
|
|
|
PRESENCING |
2018-05-05 |
Kocakaya, Sibel
|
ACT Performance Festival
|
|
|
Éloge à une image |
2018-05-05 |
Gence, Alexander
|
ACT Performance Festival
|
|
|
Sandy Island |
2018-05-05 |
Fernandes Paoa, William
|
ACT Performance Festival
|
|
|
life lessons in orchids reich |
2018-05-05 |
Hardeman, Doris et al.
|
ACT Performance Festival
|