| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Scalable Skeletal Escalator (open rehearsal) |
2020 |
Lewis, Isabel [The Field] et al.
|
Revolving Histories
Zurich Art Weekend
|
|
The Mechanism and Its Conditions: Durability as Relational Practice |
2026 |
Klauss, Valentin
|
HyperWerk
|
|
Auftritt für zwei Schlagzeuge |
1996 |
Hiepler, Esther et al.
|
Revolving Histories
|
|
Julchen |
2004 |
Gerosa, Gabriella
|
Videocity_memoriav
|
|
|
Gewöhnliche Räume, ungewöhnliche Wege |
2014 |
Künzler, Daniel; Menge, Roman
|
Videocity_memoriav
|
|
|
Lemusa 03 Centre-Sentom |
2025 |
Herzog, Samuel
|
Lemusa
|
|
|
65+ |
2020 |
Matiz, Meagan
|
Diplom HGK
|
|
|
ALEPPO |
2017-04-29 |
Ipek, Füsun
|
ACT Performance Festival
|
|
|
ALEPPO |
2017-04-11 |
Ipek, Füsun
|
ACT Performance Festival
|
|
|
ALEPPO |
2017-04-22 |
Ipek, Füsun
|
ACT Performance Festival
|
|
|
Following the Elephant-Nosed Fish. Reimagining our Sensorium |
2021 |
Miyazaki, Shintaro et al.
|
Werke
|
|
flags 11 - "Dreamtimespace" ( Einreichung 13) |
2021, 2022 |
Magos, Gabriel et al.
|
Revolving Histories
|
|
|
Untitled |
2020-05-15, 20:00 |
Suter, Elisabeth
|
ACT Performance Festival
|
|
|
From the series “Cleaning service” |
2020-05-11, 20:00 |
Falcón, Talía et al.
|
ACT Performance Festival
|
|
|
'hands' |
1998, 2000 |
Wirth, Ursi et al.
|
Revolving Histories
|
|
TREMOLO |
2005 |
Stöcklin, Angela et al.
|
Revolving Histories
Le look c'est chic
|
|
|
Velo + Sand |
2020 |
Patrick Leppert et al.
|
Revolving Histories
|
|
|
Interview mit Reinhard Storz im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am IXDM der HGK Basel FHNW |
2024-11-07 |
Storz, Reinhard et al.
|
Netzkulturen
|
|
|
Doing Events Experimentelle Interventionen in der Clubkultur |
2026 |
Tschumi, Lou
|
HyperWerk
|
|
|
Colorado |
2025 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
Fachbeirat / Jury 2014 |
2014 |
Domesle, Andrea
|
Videocity_memoriav
|
|
Setting Collectively Conditions for Sharing, Reuse, Access |
2025 |
Weinmayr, Eva
|
e-Publications
|
|
|
Technology and its social impact |
2019 |
Odriozola, Pablo
|
Institut Integrative Gestaltung / Masterstudio
|
|
-logy |
2011 |
Gageos, Vanessa
|
Revolving Histories
Noch Normal?
|
|
|
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|
|
|
Feministische Stimmen zur Wikipedia: Who writes his_story? |
2026 |
Brugger, Daniela; Regn, Chris
|
e-Publications
|
|
|
Video Poem (Fujisan Reflected) |
1998 |
Spielhofer, Hildegard
|
Videocity_memoriav
|
|
Zeig mir Deinen Koffer |
2021 |
Schmalz, René et al.
|
Revolving Histories
|
|
|
Rethinking Artistic Funding: An alternative perspective |
2023 |
Duarte Estive, Ely
|
HyperWerk
|
|
|
Vom sauberen Gut zur stillen Gefahr Szenografie für ein kollektives Erinnerungssystem gegen die Ausbreitung der Tigermücke |
2026-05-13 |
Dinh, Sarah et al.
|
In3
|
|
|
Keynote 4: Alfredo Gutiérrez Borrero, Universidad Jorge Tadeo Lozano, Bogotá and closing ceremony |
Sept 4, 2021 |
Gutierrez Borrero, Alfredo et al.
|
Memory Full
|
|
|
Book of Abstracts of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 |
Ernst, Meret; Gaspar, Mònica
|
Memory Full
|
|
|
Collective body |
2020-05-15, 19:00 |
Borgunska, Mercedes et al.
|
ACT Performance Festival
|
|
|
Weshalb ich meinen Namen geändert habe |
2020-04-28, 20:00 |
Asan, Mustafa
|
ACT Performance Festival
|
|
|
Looking at each other for five minutes |
2020-04-18, 19:00 |
Könz, Fiona; Vogel, Gregor
|
ACT Performance Festival
|
|
|
Jeune-Femme-CH |
1981-1982 |
Winteler, Anna
|
Revolving Histories
|