| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Protokoll Vorbereitungstreffen |
2010 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
2017-04-22 |
Vuilleumier, Luc
|
ACT Performance Festival
|
|
|
|
2017-04-22 |
Ottavi, Chiara et al.
|
ACT Performance Festival
|
|
|
|
Videodokumentation |
2006-04-22 |
Billari, Domenico et al.
|
ACT Performance Festival
|
|
|
PRESENCING |
2018-04-14 |
Kocakaya, Sibel
|
ACT Performance Festival
|
|
Les Tambours, Harmonie universelle, 1636 |
1636 |
Mersenne, Marin
|
GrandeEcurie
|
|
|
2018-04-14 |
Ritz, Reto; Andermatt, Tara
|
ACT Performance Festival
|
|
|
Making of 2022 |
2022 |
Institut Innenarchitektur und Szenografie et al.
|
Erinnerungsraum
|
|
|
Credits |
2018 |
ACT Performance Festival
|
|
|
|
Information Kontext |
2018-04-14 |
ACT Performance Festival
|
|
|
Antiphonaire de Notre-Dame de Paris, 1669 |
1669 |
Compardel, Étienne
|
GrandeEcurie
|
|
|
The secret behind Cesare Bendinelli’s (1542–1617) “Volume di Tutta l’arte della trombetta” (1614) |
2023 |
Madeuf, Jean-François et al.
|
OpenAccessPublikationen
|
|
|
The Mechanism and Its Conditions: Durability as Relational Practice |
2026 |
Klauss, Valentin
|
HyperWerk
|
|
|
Ottavi, Chiara
|
ACT Performance Festival
|
||
|
Autre Suitte faite pour Mr. le Compte Darcours par Mr. Degrignis pour les Cromornes, 1660 |
1660 |
Philidor [l'aîné], André Danican
|
GrandeEcurie
|
|
|
uchlii |
2017-04-22 |
Deck, Hel
|
ACT Performance Festival
|
|
|
PARTOUT – PLATFORM FOR INTERNATIONAL PERFORMANCE ART |
2.10.2020-11.10.2020 |
PANCH, Performance Art Network CH
|
Partout
|
|
|
apresperf.ch – Moving Performance To Text |
2015-04-10 |
Schürch, Dorothea et al.
|
ACT Performance Festival
|
|
|
Einladung Vorbereitung Dozierende |
2012 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Protokoll Vorbereitung Dozierende |
2012 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Information Mammuttag und ACT Festivaldaten |
2015 |
ACT Performance Festival
|
|
|
|
Ina Lohr: A Link between the Swiss and Dutch Early Music Movements |
2016 |
Smith, Anna
|
OpenAccessPublikationen
|
|
Dokumentation Workshop I |
2024 |
Grau, Pascale et al.
|
ARCHIVES & BEYOND
|
|
|
Improvisation, diminution et ornementation Pour une autre esthétique de la pratique des musiques anciennes |
2021 |
Dongois, William
|
OpenAccessPublikationen
|
|
Allégorie des vanités du Monde, 1663 |
1663 |
Boel, Pieter
|
GrandeEcurie
|
|
|
Keyboard Accompaniment in Italy around 1600 Intabulations, Scores and Basso Continuo |
2022 |
Campagne, Augusta; Rotem, Elam
|
HSM-Datenbanken
|
|
|
H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) |
2016 |
Wentz, Jed
|
OpenAccessPublikationen
|
|
|
Besame Mucho |
2015-04-11 |
Stalder, Aline et al.
|
ACT Performance Festival
|
|
Habit de Musicien, ~1695 |
1653 -1695 |
Larmessin, Nicolas II de
|
GrandeEcurie
|
|
|
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun |
2015-04-10 |
Wiesel, Jörg
|
ACT Performance Festival
|
|
|
Lecture I |
2015-04-10 |
Scheidegger, Sarina et al.
|
ACT Performance Festival
|
|
|
Rybeben am Hof Maximilians I. |
2015 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
Petrus dictus Palma ociosa: Compendium de discantu mensurabili (Amiens, 1336) |
2023 |
Schwenkreis, Markus et al.
|
OpenAccessPublikationen
|
|
|
The Shawm and the Alta Ensemble during the “Slide Trumpet Years” |
2021 |
Gilbert, Adam Knight
|
OpenAccessPublikationen
|
|
|
Together Elsewhere 21: Laurel Jay Carpenter und Mirzlekid |
2023-04-28 |
Carpenter, Laurel Jay et al.
|
Together Elsewhere
|
|
Trophée d'instruments de musique, Anfang 18. Jahrhundert |
1710 |
GrandeEcurie
|