| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Postcard 6: collective memory. Following Bally's footsteps |
2021 |
Fey, Yannick et al.
|
Memory Full
|
|
|
Postcard 11: Memory and Gender. A visit to the exhibition "Robes Politiques", Textilmuseum St Gallen |
2021 |
Zufferey, Nicolas et al.
|
Memory Full
|
|
|
Postcard 7: Memory full! A visit to the Schaudepot at Museum für Gestaltung, Zurich |
2021 |
Eggmann, Niklas et al.
|
Memory Full
|
|
Plants Intelligence - Exhibition |
2025 |
Volkart, Yvonne; Smits, Raitis
|
Plant_Intelligence
|
|
|
Postcard 4: Preserve or Decay. Tracks of Max Bill |
2021 |
Broman, Hanna et al.
|
Memory Full
|
|
|
Postcard 9: Remote but not forgotten. Looking for Knorrli, the Knorr soups mascot, in the Maggia Valley |
2021 |
Gregor, Natalie et al.
|
Memory Full
|
|
|
Postcard 2: Swiss Graphic Design. A visit to the Plakatsammlung Basel |
2021 |
Zulji, Ilhan et al.
|
Memory Full
|
|
|
Postcard 5: Memory Strata. Documenting the Novartis Campus |
2021 |
Cordero, Tanya et al.
|
Memory Full
|
|
|
Postcard 10: Closed Archive. Almost a visit to the Montreux Jazz Heritage Lab |
2021 |
Brander, Gertrud et al.
|
Memory Full
|
|
|
Postcard 3: Strollology. City walks and the question of design |
2021 |
Mehret, Shewit et al.
|
Memory Full
|
|
|
Mit der Austerngabel durch Paris 00 |
2008 |
Herzog, Samuel
|
Lemusa
|
|
METAFESTIVAL |
2004 |
Kirmis, Constanze
|
HyperWerk
|
|
|
Program ACT 2022 |
2022 |
ACT Performance Festival
|
|
|
|
Rückblick auf die Entstehung von ARCHIVES & BEYOND |
2025 |
Grau, Pascale
|
ARCHIVES & BEYOND
|
|
|
Pflanzenkognition und KI im Vergleich: ein Gedankenspiel |
2025 |
Schneider, Birgit et al.
|
Plant_Intelligence
|
|
|
Reconstructing the "fifres" of the Grande Écurie |
Berney, Boaz
|
GrandeEcurie
|
|
|
|
Building a Ganassi Viol |
2014 |
Kraft, Judith
|
OpenAccessPublikationen
|
|
|
Interview mit Catherine Walthard im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am IXDM der HGK Basel FHNW |
2024-10-17 |
Walthard, Catherine et al.
|
Netzkulturen
|
|
|
Sons of Padde - Ein Film und Fashion Abenteuer |
2017 |
Jascur, Martin
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Credo |
2019 |
Blanco, Natalia et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Escrito en el viento (in den Wind geschrieben) |
2014 |
Maag, Georgette et al.
|
Revolving Histories
Vernissage
|
|
|
Houses, Drawing Rooms and Attics: Contemporary Spatial Practices and Historicity of Alternative Memory in Colonial Kodava Houses (1834-1947) |
2021 |
B.G., Chinnappa
|
Memory Full
|
|
|
On Becoming; amplified* |
2025 |
Böhler, Sarina
|
HyperWerk
|
|
|
DESIGN EXPLORATION BY PARAMETRIC TOOLS |
2017 |
Fathi, Sabrina et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
myFunerals #5 Danksagung |
2018 |
Luedi, Juerg et al.
|
Revolving Histories
BONE 18 - Festival für Aktionskunst
|
|
|
Bone 19 Triptychon |
2016 |
Hensler, Markus et al.
|
Revolving Histories
BONE 19 - Festival für Aktionskunst
|
|
|
Reconstructing the “fifres” of the Grande Écurie |
2009 |
Berney, Boaz
|
OpenAccessPublikationen
|
|
|
Kollektives Erinnern als widerständige Praxis für Gestaltung alternativer Zukünfte. |
2026 |
Niederhauser, Nils
|
HyperWerk
|
|
|
Counter Space |
2025 |
Güngör, Ozan
|
Incubator for Design Cultures
|
|
|
MILITANCY OF SOUND |
2025 |
Gnahoua, Sidonia Yridjé
|
HyperWerk
|
|
|
Ganassi und die Gambe - Anmerkungen zu Konstruktionselementen erhaltener Instrumente |
2013 |
Menzel, Kathrin
|
Frühe Streichinstrumente um 1500
|
|
|
«!» |
2005 |
Whinyates, Peter
|
HyperWerk
|
|
|
Zeitraum |
2018 |
Fehr, Marina Georgia
|
Diplom HGK
|
|
|
Dream of Zanzibar |
1985 |
Hahn, Alexander et al.
|
Revolving Histories
1985 International Video Festival, Locarno
|
|
MeloVelo |
2014 |
Luv, Linda et al.
|
Revolving Histories
Hafenfest
|
|
|
TRAVELLING COSMO |
2005 |
Blume, Dana
|
HyperWerk
|