| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Publikum/Event |
2015-04-11 |
ACT Performance Festival
|
|
|
|
Der Pilz im Patent - Verstimmung, Klinik, LSD |
2022 |
Köppl, Jörg [ensemble metanoia] et al.
|
Revolving Histories
-
|
|
|
Un essai de reconstruction des Cromornes de la Grande Écurie à la cour de Louis XIV |
2009 |
Robin, Vincent
|
OpenAccessPublikationen
|
|
Poster Bern |
2012-04-15 |
ACT Performance Festival
|
|
|
e-flux Index #1 |
e-flux
|
e-Publications
|
|
|
|
Die «Tambours» am Hof Ludwigs XIV. und Ludwigs XV. |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Trompeterensembles und ihre Musik im Spätmittelalter |
2021 |
Welker, Lorenz
|
OpenAccessPublikationen
|
|
Rotweisskariert |
2009 |
McKean, Christopher Scott
|
HyperWerk
|
|
|
Silent Witnesses: A Groundbreaking Idea in the 1st Millenium BC Changed the Ancient Textile Industry and Laid the Foundation for Modern Clothing Production |
2021 |
Beck, Ulrike
|
Memory Full
|
|
|
Almanaque: A Collaborative Approach to Design Research and Puerto Rican Identity |
2021 |
Alejandro, Jason et al.
|
Memory Full
|
|
RiXC Art and Science Festival 2025: Plants Intelligence - Symposium |
2025 |
Castelblanco, Felipe et al.
|
Plant_Intelligence
|
|
Lost 696 - Shanghai’s art and design landscape changes in time! |
2012 |
Yildirimli, Mehmet et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Improvisation, diminution et ornementation Pour une autre esthétique de la pratique des musiques anciennes |
2021 |
Dongois, William
|
OpenAccessPublikationen
|
|
|
Help! David Cameron likes my art |
2018 |
Weinmayr, Eva et al.
|
e-Publications
|
|
Space and Time |
2015-04-11 |
Saraç, Öszan
|
ACT Performance Festival
|
|
cLab |
2011 |
Sigl, Konrad
|
HyperWerk
|
|
|
Imagining Other Futures: Historical Interrogation and Radical Publishing |
2021 |
Toppins, Aggie
|
Memory Full
|
|
|
Performance Art Roll On – Eine Annäherung an Lücken der Ausstellung Performance Process im Museum Tinguely | An Approach to Gaps in the Exhibition Performance Process at Museum Tinguely |
2018 |
Saemann, Andrea et al.
|
Revolving Histories
|
|
|
Aspects of English Song Essays by Anthony Rooley |
2021 |
Rooley, Antony et al.
|
OpenAccessPublikationen
|
|
|
Interview with Ina Lohr, 1983 |
2016 |
Leussink, Jos
|
OpenAccessPublikationen
|
|
|
Jean-Baptiste Prin, Traité sur la trompette marine, 1742 Transkription und deutsche Übersetzung von Thilo Hirsch |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Reviving the memory of Modernist type designer Joan Trochut |
2021 |
Balius, Andreu
|
Memory Full
|
|
But that's another story, Part II (Jeff Wall, Milk 1984) |
2010-04-11 |
Schauecker, Renée
|
ACT Performance Festival
|
|
e-flux Index #2 |
e-flux
|
e-Publications
|
|
|
The Drawing Project |
1998 |
Huwiler, Bernhard et al.
|
Revolving Histories
|
|
Gross Geigen & Rybeben - North-Alpine ‚Viola da gamba‘ Ensembles in the Early 16th Century |
2015 |
Hirsch, Thilo
|
Frühe Streichinstrumente um 1500
|
|
|
Objects of a Memory Loss: Dining Tables as a Cultural Agent in Late Ottoman Istanbul |
2021 |
Bici, Esra
|
Memory Full
|
|
|
Becoming Soundscape – Listening, Perceiving and Acting |
2024-10-15 |
Team peripher_ies
|
Peripher_ies
|
|
|
COMMODI-FICTION |
2021 |
[Parvez] et al.
|
Revolving Histories
COMMODI-FICTION
|
|
Signel - Electroluminescent Signaling Glove for Urban Cycling |
2013 |
Chavarro, Sandra et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
The Shawm and the Alta Ensemble during the “Slide Trumpet Years” |
2021 |
Gilbert, Adam Knight
|
OpenAccessPublikationen
|
|
|
Direktions- und Generalbasspraxis in Händels Oratorien Die Orgelstimmen zum «Alexanderfest» |
2025 |
Leininger, Thomas
|
OpenAccessPublikationen
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 |
Ruedin, Anne-Louise
|
HyperWerk
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 |
Ruedin, Anne-Louise
|
HyperWerk
|
|
|
Changing aesthetical taste in ottoman interiors in the 1740s |
2021 |
Songulen, Nazli
|
Memory Full
|
|
|
Houses, Drawing Rooms and Attics: Contemporary Spatial Practices and Historicity of Alternative Memory in Colonial Kodava Houses (1834-1947) |
2021 |
B.G., Chinnappa
|
Memory Full
|