| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Walk 4 |
2015 |
Etter, Simone
|
Grenzgang
|
|
|
Zäune |
13.12.2014 |
Etter, Simone
|
Grenzgang
|
|
|
Unterführung entlang |
Etter, Simone
|
Grenzgang
|
|
|
|
Walk 4 von Simone Etter |
2014-12-19 |
Etter, Simone
|
Grenzgang
|
|
|
Hochspannungsleitung |
6.11.2015 |
Etter, Simone
|
Grenzgang
|
|
|
Wegzeichnung nachher |
2015-04-13 |
Brugnoni, Amadis et al.
|
Grenzgang
|
|
|
Walk 5 Simone Etter |
2015-04-13 |
Etter, Simone
|
Grenzgang
|
|
|
Walk 3 von Simone Etter |
28.10.2014 |
Etter, Simone
|
Grenzgang
|
|
|
Walk 1 von Simone Etter |
2014-09-23 |
Etter, Simone
|
Grenzgang
|
|
|
Amsel, Drossel, Fox und Star |
1986 |
Lamunière, Simone; Lanz, Eric
|
Videowochen im Wenkenpark
|
|
|
Kommentar zu Allmend 2013 |
2013-06-23 |
Etter, Simone
|
PPP-ProgrPerformancePlattform
|
|
What does rest feel like in your hands |
2025 |
Thiel, Simone
|
HyperWerk
|
|
|
Kunst der Begegnung |
2018 |
Papst, Marianne et al.
|
Archive des Ephemeren
|
|
|
Audioreflexion zu Claudia Grimm: Die täglichen Übungen des Kollektivs DARTS (disappearing artists) |
Etter, Simone; Grimm, Claudia
|
Archive des Ephemeren
|
|
|
|
everyday life of a president |
2018-04-18 |
Schmidt, Jonas
|
ACT Performance Festival
|
|
|
2004-05-03 |
Etter, Simone
|
ACT Performance Festival
|
|
|
|
Begreifen |
2025-04-26 |
Liftingiron, Simone
|
ACT Performance Festival
|
|
|
FIERCE LILAC |
2024-04-20 |
Hebeisen, Simone
|
ACT Performance Festival
|
|
|
2004-04-17 |
Etter, Simone
|
ACT Performance Festival
|
|
|
|
2018-04-22 |
Schmidt, Jonas
|
ACT Performance Festival
|
|
|
|
heftiger Flieder |
2024-04-27 |
Hebeisen, Simone
|
ACT Performance Festival
|
|
|
Sichtbar, Unsichtbar |
2015-04-11 |
Steinegger, Simone et al.
|
ACT Performance Festival
|
|
|
Kopfkino |
2017-04-11 |
Schmidt, Jonas et al.
|
ACT Performance Festival
|
|
|
see and be seen or unseen |
2015-04-25 |
Steinegger, Simone
|
ACT Performance Festival
|
|
Auslese (Malerei) V, 2020 |
2020 |
Zürrer, Anna-Sabina et al.
|
Revolving Histories
APOKOPE, Einzelausstellung von Anna-Sabina Zürrer im Kunst(Zeug)Haus
|
|
|
Gehdölass-Degölass |
2010 |
Pfister-Köfler, Hansjörg [Mirzlekid] et al.
|
Revolving Histories
|
|
Möbelstück |
2006 |
[Kollabor] et al.
|
Revolving Histories
<Temps Elastique>
|
|
|
40 Minuten Stehen |
2001 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
International Art Store |
2017 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
Guyu Action, International Performance Art Festival
|
|
Open archive for 23 minutes |
2019 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
OPEN - 20th Performances Art Festival
|
|
Open Session |
2019 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
GIMME SHELTER
|
|
Damen Doppel |
2019 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
Perform the Field
|
|
Was wollen wir? |
2019 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
Gruppenausstellung "Wie wir arbeiten wollen – Kollektives Handeln und künstlerische Komplizinnenschaft"
|
|
marsie & You |
2016 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
Erstes Geplauder
|
|
Resonanz im Gehen |
2021 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
Performance Reihe Neu-Oerlikon
|
|
shooting |
2017 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
GAN GAN Performance Art Festival
|