| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
act on lumpen station |
2022 |
Marioni, Andrea
|
ACT Performance Festival
|
|
Sacre de Louis XV, "Le Couronnement du Roy", 1722 |
1722 |
Tardieu, Nicolas Henri
|
GrandeEcurie
|
|
|
Together Elsewhere 17: Traci Kelly and Benjamin Sunarjo |
2022-12-14 |
Kelly, Traci et al.
|
Together Elsewhere
|
|
|
Together Elsewhere 50: Hilary Gilligan and Antonia Röllin |
2025-10-24 |
Gilligan, Hilary et al.
|
Together Elsewhere
|
|
Making of 2018 |
2018 |
Aebli, Loris Urban et al.
|
Erinnerungsraum
|
|
Making of 2019 |
2019 |
Aepli, Damian et al.
|
Erinnerungsraum
|
|
Making of 2016 |
2016 |
Ammann, Rebekka Monique et al.
|
Erinnerungsraum
|
|
Making of 2017 |
2017 |
Baur, Lauretta et al.
|
Erinnerungsraum
|
|
|
Coast to Coast |
2016 |
Stauch, Dominik
|
Videocity_memoriav
|
|
|
Hortense |
2018-04-14 |
Oberson, Antonie et al.
|
ACT Performance Festival
|
|
|
Anweisung: IN MY ROOM - FEEDBACK & SPIELREGELN |
2025 |
Granderath, Greta
|
ARCHIVES & BEYOND
|
|
|
glass piece #2 |
2017-04-11 |
Gobet, Mélanie
|
ACT Performance Festival
|
|
|
Together Elsewhere 44: Chumpon Apisuk and Barbara Sturm Becker |
2025-04-30 |
Apisuk, Chumpon et al.
|
Together Elsewhere
|
|
|
2018-04-14 |
Luv, Linda
|
ACT Performance Festival
|
|
|
Trompette et Tambour à cheval, 1696 |
1696 |
Manesson-Mallet, Allain
|
GrandeEcurie
|
|
|
Rabenmutter I |
2017-04-08 |
Geisseler, Irene et al.
|
ACT Performance Festival
|
|
Viola da gamba, 1604 |
1604 |
Linarol, Ventura
|
Frühe Streichinstrumente um 1500
|
|
|
Etui für 4 Fifres, Fifre. |
1600-1650 |
GrandeEcurie
|
|
|
Dokumentation der Website des Forschungsprojektes Archiv Performativ |
2012 |
Grau, Pascale et al.
|
Dokumentation Archiv Performativ
|
|
|
Making Of 2020 |
2020 |
Institut Innenarchitektur und Szenografie et al.
|
Erinnerungsraum
|
|
Making of 2021 |
2021 |
Institut Innenarchitektur und Szenografie et al.
|
Erinnerungsraum
|
|
|
How to Visualize Emotional Expressions of Artificial Intelligence. Designing for an Affective Human-A.I. Interaction |
2020 |
Lee, Jingyu
|
Diplom HGK
|
|
|
Alternative Wayfinding Tools. New methods for guiding people through spaces of leisure |
2019 |
Hansen, Andreas Solhøj
|
Diplom HGK
|
|
Algorithms of Partiality |
2017 |
Parkonnen, Hedda et al.
|
Revolving Histories
|
|
|
DORFGEIST Filmmaking as a negotiation of belonging amid the resettlement of Brienz/Brinzauls |
2026 |
Holtz, Livni
|
HyperWerk
|
|
|
La guitare en France vers 1800 Textes du projet de recherche |
2014 |
Valois, Pascal
|
OpenAccessPublikationen
|
|
|
2010-05-01 |
Glaab, Jasmin
|
ACT Performance Festival
|
|
|
Making of 2023 |
2023 |
Institut Innenarchitektur und Szenografie et al.
|
Erinnerungsraum
|
|
|
Come close |
2017-04-11 |
Schneider, Olivia et al.
|
ACT Performance Festival
|
|
|
Rabenmutter II |
2016-05-31 |
Geisseler, Irene
|
ACT Performance Festival
|
|
|
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary |
2017 |
OpenAccessPublikationen
|
|
|
Sacre de Louis XV, "Le Festin Royal", 1722 |
1722 |
Dupuis, Nicolas-Gabriel et al.
|
GrandeEcurie
|
|
|
Besenstudie #12. Diskussion im Anschluss an die Performance |
2011-09-09 |
Otong, Boedi S.; Töpfer, Axel
|
Dokumentation Archiv Performativ
|
|
Viola da gamba, ~1600 |
1550-1600 |
Linarol, Ventura; Anonymus
|
Frühe Streichinstrumente um 1500
|
|
|
Vignette und Abbildung aus der "Lettione seconda", 1543 |
1543 |
Ganassi, Silvestro
|
Frühe Streichinstrumente um 1500
|
|
|
Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi |
2013 |
Hirsch, Thilo
|
OpenAccessPublikationen
|