| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Separation reparation vanishing |
2022-10-01 |
Kiranoglu, Jasmin et al.
|
migma
|
|
|
2022-10-01 |
Heller, Elischa et al.
|
migma
|
|
|
|
Jean-Baptiste Prin, Traité sur la trompette marine, 1742 Transkription und deutsche Übersetzung von Thilo Hirsch |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
flags 9 - "1956" (Einreichung 11) |
2021, 2022 |
Magos, Gabriel
|
Revolving Histories
|
|
Arkadien brennt - Ein Zwischenspiel |
2022 |
Wiesendanger, Léonard
|
Revolving Histories
|
|
|
Interview mit Reinhard Storz im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am IXDM der HGK Basel FHNW |
2024-11-07 |
Storz, Reinhard et al.
|
Netzkulturen
|
|
Masked Identity In Color / Colored Identity In Mask |
2020 |
[Parvez] et al.
|
Revolving Histories
Visarte Corona Call
|
|
Abbruch, oder bhüet is Gott dr Chüjerstand |
1989 |
Brodbeck, Claudia; Gisi, Lukas
|
Revolving Histories
|
|
Wunder und Wasserfall |
2018 |
Z'Rotz, Tina et al.
|
Revolving Histories
International Performance Art Giswil
|
|
Borderline symphony |
2021 |
Séra, Hanga et al.
|
Revolving Histories
Best of 2021 - Visarte Zürich und Gäste
|
|
archetypal outfit(s) for performance artist(s) - another stage in process |
2022 |
Meystre, Mélanie et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
PRESENCING |
2018-05-05 |
Kocakaya, Sibel
|
ACT Performance Festival
|
|
|
THE FLOOR IS YOURS, BUT I CLEANED IT |
2024-04-20 |
Kurhanska, Ira
|
ACT Performance Festival
|
|
|
2018-04-22 |
Schmidt, Jonas
|
ACT Performance Festival
|
|
|
|
La Chambre de Madame Malaise |
2020 |
Rüegg, Lea et al.
|
Revolving Histories
|
|
GoingPublik |
2004 |
Clay, Arthur et al.
|
Revolving Histories
STV Tonkünstlerfest 'Musique et Environment'
|
|
|
Tonhühner |
1994 |
Bottini, Max et al.
|
Revolving Histories
|
|
BOXING NOISE |
2021 |
Bondi, Cyril et al.
|
Revolving Histories
|
|
her harsh high and deep voice - a polyphony |
2021 |
Dâmaso, Lara; Rochat, Ysaline
|
Revolving Histories
Les Urbaines
|
|
Weisse Ausweitung |
2018 |
Simon, Regina et al.
|
Revolving Histories
Leichtes Licht legen
|
|
Reflexion |
2001 |
Streiff, Barbara et al.
|
Revolving Histories
Reflexion - Network
|
|
Schauerlich wie Alles... |
1993 |
Siedler, Patrick et al.
|
Revolving Histories
Kunstszene Shedhalle
|
|
|
x |
2018 |
Dosa, Monika
|
Diplom HGK
|
|
|
The Case |
2015 |
Löffel, Gabriela
|
Summe2017
|
|
|
Mitschnitt Workshop: Diagraming Practice: a workshop exploring archives and their relationship to databases |
Newman, Hayley; Reedy, Bryan
|
Archive des Ephemeren
|
|
|
CHAT-ROULETTE |
2020 |
CHAT-ROULETTE
|
ACT Performance Festival
|
|
|
CARU |
Mbetse, Miranda; Adolph, Sven
|
Next Generation
|
|
|
Mouthless Part II (Dziady) |
2021 |
Gawęda, Dorota et al.
|
Revolving Histories
State of Mind/Stato d’Animo
|
|
|
shadow painting - interactive video installation |
2017 |
ranger, dsucolor
|
Summe2017
|
|
Wind im Freien |
2016 |
[ultra] et al.
|
Revolving Histories
Performancepreis Schweiz
|
|
Nothing to declare |
2008 |
Messmer, Dorothee et al.
|
Revolving Histories
Triennale Oberschwaben (um den Bodensee herum)
|
|
|
Moulage |
2015-04-18 |
Demiral, Ebru
|
ACT Performance Festival
|
|
|
Performancepublikationen |
2010, 2012, 2019 |
Grau, Pascale et al.
|
Revolving Histories
|
|
Hier baut das Kunsthaus Aussersihl |
2018 |
Bucher, Gina et al.
|
Revolving Histories
Stundengalerie vor der Amboss Rampe, Kunst Szene Zürich 2018
|
|
|
Die holde Gefährtin |
2006 |
Naegelin, Barbara
|
Revolving Histories
|
|
|
Human Installation I |
2013 |
Zollinger, Thomas et al.
|
Revolving Histories
|