| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
07 Im Fieber durch die Emirate |
2026 |
Herzog, Samuel
|
Lemusa
|
|
It depends entirely upon the hue of the lighting |
Siehe pdf |
Köhle, Petra et al.
|
Revolving Histories
Diverse (siehe pdf)
|
|
Surrounded by Spaces - an Introspective Point of View |
2018 |
Klinkenberg, Sophia
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
MEETING THE FARMERS HALFWAY NEGOTIATING VISIBILITY IN GERMAN FARMERS’ PROTESTS |
2026 |
Seiler, Nicolas
|
HyperWerk
|
|
|
Lights Off |
2016 |
Toledo, Martha et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Programm Booklet PPP 2021 |
2021-08-14-15 |
PPP-ProgrPerformancePlattform
|
|
|
|
ROOM TO BREATHE |
2026 |
Nezheviasov, Illia
|
e-Publications
|
|
|
Food for Thought. A Visual Exploration of Food Culture in India and Europe |
2022 |
Gonsalves, Chiara
|
Diplom HGK
|
|
|
Masterthesis 2, 2010 |
2010 |
Masterstudio Design
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
2009-03-21 |
Klingler, Monica; Levy, Roger
|
migma
|
|
|
Just Drink Tea |
2011-2022 |
Nilo, Dawn et al.
|
Revolving Histories
|
|
|
Chorpraxis als Forschungsfeld für Methoden der Zusammenarbeit |
2026 |
Catti, Fiammina
|
HyperWerk
|
|
Lecture Simultanée |
2012 |
Köhle, Petra et al.
|
Revolving Histories
|
|
|
Shifts in Mapping: Maps as a Tool of Knowledge |
2021-11-26 |
Schranz, Christine
|
Shifting is Mapping
|
|
|
Let’s consider Burma? Crossmaping Monte Verita/Kazimierz |
2021 |
Saemann, Andrea et al.
|
Bang Bang
10th Land Art Festival/ Off Land Festival
|
|
|
Let’s consider Burma? Crossmaping Monte Verita/Kazimierz |
2021 |
Saemann, Andrea et al.
|
Revolving Histories
10th Land Art Festival/ Off Land Festival
|
|
|
Resign Republic |
2015 |
Kahn, Ali Rahman et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Zeichen des Göttlichen. Zeitgenössische Religionen in einer säkularen Gesellschaft |
2018 |
Foos, Angelina
|
Diplom HGK
|
|
|
FURTHER DETAILS |
2005 |
Ruckstuhl, Samuel
|
HyperWerk
|
|
|
Gefährt und Gefährt*innen |
2025 |
Pfenninger, Massimo
|
HyperWerk
|
|
|
Blog und Rezension des Kunstmuseums Bern in Zusammenhang mit dem SYMPOSIUM «ARCHIVE DES EPHEMEREN» |
2019 |
Kunstmuseum Bern et al.
|
Archive des Ephemeren
|
|
|
We Missed the Mark: The Impacts of Well-Intentioned, but Racist, Design |
2021 |
Moses, Terresa et al.
|
Memory Full
|
|
|
Träumen im Kongo Love H Kiris Kongo ABC P |
2008 |
Herzog, Samuel
|
Lemusa
|
|
|
Digitale Resilienz. Widerstand im Informationszeitalter |
2021 |
Zumkeller, Robert
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
pressen Ti amo |
2015 |
Tanner, Amina
|
HyperWerk
|
|
|
Der digitale Umbruch im Magazinbereich - Der Weg zu einem animierten digitalen Kunstmagazin |
2014 |
Burgener, Maria-Sol et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
GAMA Vocabulary |
2010 |
GAMA, Consortium
|
Werke
|
|
|
A queer cross-reading of Zürich’s performance movements: from their assumed, speculated and negotiated beginnings until ca. 2021 |
2025 |
Rust, Dorothea
|
Revolving Histories
|
|
|
We Layer, We Connect, We Multiply |
Wappler, Tabea
|
HyperWerk
|
|
|
The Gathering und Performances am Performance-Festival perFORM¡ 2021 |
2021 |
diverse, siehe bereits erfolgte Eingabe zu Performance-Festival perFORM et al.
|
Revolving Histories
perFORM¡ Performance-Festival 2021 re:load
|
|
kunstwette.ch |
2010 |
Belobrovaja, Marina et al.
|
Revolving Histories
|
|
|
Der Geschmack von Zeit |
2017 |
Barth, Myrien
|
Summe2017
|
|
|
2004-04-17 |
Seiler, Milena
|
ACT Performance Festival
|
|
|
|
VDK Virtual Design Kit. Designing sheet metal constructions in virtual reality. |
2019 |
Kappeler, Tobias
|
HyperWerk
|
|
|
Three-Tier Garden: More-than-Human Choreographies in the Post-COVID City |
2023 |
Ampatzidou, Cristina et al.
|
Werke
|
|
|
A HOLE IN THE HAT |
1991 |
Guhl, Andy et al.
|
Revolving Histories
|