| Titel | Jahr | author | Event |
|---|---|---|---|
ZWISCHENSTAND: EIN ANFANG |
2022 | ||
Ganassi – Arbeitstagebuch |
2014 | ||
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo
|
Long Lake Festival, Lugano
|
Bau einer Gambe nach Ganassi |
2014 | ||
CC_Cycles of Circulation SUBPROJECTS |
2025 | ||
Die Wand, der Boden |
2011 | ||
Stereovision |
2006 | ||
Written Images |
2010 | ||
Projekt UNIQFORM |
2006 | ||
Concept Art. Weltenbauen im Raumbild |
2018 | ||
The Iconography of the Viola da gamba in Ganassi's Context |
2013 | ||
Ganassi und die Gambe Anmerkungen zu Konstruktionselementen erhaltener Instrumente |
2013 | ||
C02 Beata progenies |
|||
Points of Inversion: Upending Structural Narratives in Design History |
2021 | ||
ADVA (accessible digital visual agency) EN |
2025 | ||
A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs |
2020 | ||
Interview mit Reinhard Storz im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am IXDM der HGK Basel FHNW |
2024-11-07 | ||
Zur Ikonographie der Viola da gamba im Umfeld Ganassis |
2013 | ||
Daten und Projektbeschrieb |
2008-01-05 | ||
TO STYLE IS TO RESIST |
2025 | ||
Sharing as an act to feel connected |
2024 | ||
A missing narrative of Ghana’s graphic design history |
2021 | ||
Converscene |
2012 | ||
Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi |
2013 | ||
Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020) |
2022 | ||
Cycles of Circulation Website |
2025 | ||
Cycles of Circulation |
2025 | ||
CC_Cycles of Circulation READINGS & REFERENCES |
2025 | ||
CC_Cycles of Circulation AWARENESS |
2025 | ||
CC_Cycles of Circulation PUBLICATIONS |
2025 | ||
CC_Cycles of Circulation PRESENTATIONS |
2025 | ||
Barcode Scenario |
From 2016 onwards |
Fieni, Matteo
|
|
Notes from Amaranth Land |
2023 |
Mensch, Julia
|
|
Say the names |
2015-04-11 | ||
Say the names |
2015-04-11 |
Minder, Maya
|
|
Youth Agenda |
2006 |