| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Performancepublikationen |
2010, 2012, 2019 |
Grau, Pascale et al.
|
Revolving Histories
|
|
|
Archive des Ephemeren: Denken, Praktizieren, Vernetzen, Weitermachen |
2019 |
Grau, Pascale et al.
|
Archive des Ephemeren
|
|
|
Wiederentdeckung einer Trompette marine von F. Saraillac nach Plänen J.-B. Prins |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Ganassi und die Gambe Anmerkungen zu Konstruktionselementen erhaltener Instrumente |
2013 |
Menzel, Kathrin
|
OpenAccessPublikationen
|
|
cLab |
2011 |
Sigl, Konrad
|
HyperWerk
|
|
|
Mischmasch in Jerusalem Trailer |
2008 |
Herzog, Samuel
|
Lemusa
|
|
|
A Designer’s Journey. The poster: A valid medium for transformative design? |
2021 |
Yaman, Ahmet Kerem
|
Diplom HGK
|
|
|
word wide web Sewing a Storybook |
2025 |
Eigenheer, Julia
|
HyperWerk
|
|
|
Reviving the memory of Modernist type designer Joan Trochut |
2021 |
Balius, Andreu
|
Memory Full
|
|
|
Shifts in Mapping: Maps as a Tool of Knowledge |
2021-11-26 |
Schranz, Christine
|
Shifting is Mapping
|
|
Mit Tamatar 2.0 unterwegs in die Ewigkeit |
2011-05-26 |
Zai, Michael
|
DigitalBrainstorming
|
|
|
UnternehMENSCHoreographie |
2013 |
Kolo, Katrin et al.
|
Revolving Histories
|
|
|
Dessobons and archaeodesign |
2021 |
Gutierrez Borrero, Alfredo
|
Memory Full
|
|
|
Konzept und Veranstaltungsdaten |
2018-05-05 16:53:20 |
ACT Performance Festival
|
|
|
|
Festivaldaten |
2018-05-05 17:22:14 |
ACT Performance Festival
|
|
|
|
Tagesschau, Schweizer Fernsehen, 6. Juli 1984 |
1984 |
Clerc, Charles et al.
|
Videowochen im Wenkenpark
|
|
|
Naïve Set Theory. Anarchiving Memory |
2018 |
Zaccuri, Andrea
|
Diplom HGK
|
|
|
The Future of our Collective Memory: Design-driven Approaches for Digital Artefacts |
2021 |
Formia, Elena et al.
|
Memory Full
|
|
|
Megazin 4: Flüchtige Tat |
2023 |
Regn, Chris
|
e-Publications
|
|
« Dialog » Sinnliche Momente im Wechselspiel mit Macht und Ohnmacht |
2017 |
Schaffer, Did et al.
|
Revolving Histories
|
|
|
Festivaldaten |
2005-11-28 |
ACT Performance Festival
|
|
|
|
Dozierende Meeting ACT (leer) |
2018-05-05 16:54:36 |
ACT Performance Festival
|
|
|
|
Feedback |
2012-04-05 |
Bieri, Franziska
|
ACT Performance Festival
|
|
|
Ankündigung ACT 2003 (Namen, Daten, Einleitung) |
2018-05-05 16:53:20 |
ACT Performance Festival
|
|
|
|
Feedback |
2012-04-05 |
Willa, Tobias
|
ACT Performance Festival
|
|
|
Feedback |
2012-04-05 |
Müller, Sarah Elena Chantal
|
ACT Performance Festival
|
|
|
Feedback |
2012-04-05 |
Mallon, Erin
|
ACT Performance Festival
|
|
|
Einladung Mammuttag |
2018-05-05 17:22:14 |
ACT Performance Festival
|
|
|
|
Feedback |
2011-05-06 |
Scholer, Anna
|
ACT Performance Festival
|
|
|
Schlussbericht Muda Mathis für die HGK Basel Abteilung Bildende Kunst Medienkunst |
2018-05-05 16:53:20 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Protokoll Vorbereitungssitzung |
2007-02-22 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Dozierende Meeting ACT (leer) |
2018-05-05 16:54:36 |
ACT Performance Festival
|
|
|
|
Feedback |
2012-04-05 |
Hagenbuch, Helen
|
ACT Performance Festival
|
|
|
Projektbeschrieb |
2007-02-20 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Facing |
2015 |
Hammerstein, Karl von
|
Videocity_memoriav
|
|
|
saraaa_9 |
2015 |
Simonin, Chloé et al.
|
Videocity_memoriav
|