| Titel | Jahr | author | Event |
|---|---|---|---|
Dasein im Wegsein (Anwesend/Abwesend) |
2011 |
Ritzmann, Marion
|
Performancepreis Schweiz
|
Der Schlaf der Vernunft gebiert Ungeheuer (Nachstellung des Gemäldes "die Nacht" von Ferdinand Hodler |
2007 |
Grau, Pascale
|
|
Es ist zu Ende |
2021 |
Minder, Maya
|
PlanQ - Soirée Performative
|
july / lucy |
2018 | ||
Western Mudras |
2006 |
Maag, Irene
|
Swiss Art Awards
|
Stockfisch |
1998 |
Bottini, Max; Team der Löwengenossenschaft Sommeri
|
Stockfisch
|
No Longer Body—Still Body. Images that reflect contemporary discussion on the given bodies |
2021 | ||
Visual Communication & Iconic Research |
2021 | ||
«Ich führe meine rechte Hand zu meiner linken Schulter». Körperlichkeit versprachlichen |
2018 | ||
Exoskeleton Vision 2030 |
2020 | ||
SynäsTHESIS - Die Sprache der Synästhesie |
2020 | ||
Medea embodied |
2020 | ||
Anna im Plastik |
1982 |
Wiesendanger, Anna B.B.
|
|
Damen Doppel |
2019 |
[künstlerinnenkollektiv marsie]
|
Perform the Field
|
Guillaume Tell |
2004-05-08 |
Avignon, Sandy; Kalnins, Janis; Ossola, Raffaella; Sugnaux, Vincent
|
|
Guillaume Tell |
2004-04-03 |
Kalnins, Janis; Avignon, Sandy; Ossola, Raffaella; Sugnaux, Vincent
|
|
Das Häkelobjekt |
Seit 2004, lebenslang |
Michell, Regula; Wandeler, Meret
|
|
Follower |
2017 |
Schmied, Nico
|
|
42,7 – sacred |
2008 |
Pfeiffer, Stella
|
Y'a Qu'a
|
Ich war eine Schauspielerin |
2018 |
Zu Gast
|
|
DIVIDE |
2022 |
Kiranoglu, Jasmin
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
DIVIDE |
2022 |
Kiranoglu, Jasmin
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
Selfy (II) |
2016 |
Unternährer, Beat
|
SHNIT 2016 Bern
|
Spiessbücherlauf |
2009 |
Schlatter, Bruno
|
|
Pipopée |
2009 |
Schlatter, Bruno
|
|
Online and Offline Romanticism |
2018 | ||
Latent Images |
2021 | ||
stepping lightly on the ground |
2020 | ||
The Simplification of Abstract Realities. Visualizing science and testing methods of interaction between design and other disciplines. |
2022 | ||
The Great Game |
2016 |
Nilo, Dawn
|
Performed at Volks/Margarethen Theatre, Vienna AT, as a part of the ImPulsTanz visual artst X dance series (2016). / Kunsthalle Basel, CH, Every Contact Leaves it’s Trace, Masters’ Exhibit (2016), curated by Chus Martinez and Lysann König, GGG Atelier Haus, Basel CH, Society for the Common and Good (2018), curated by Alice Wilkes. / Goetheanum Backofen, Dornach CH, Work Presentation Dawn Nilo (2019), curated by Miriam Wahl
|
Waterboarding |
2018 |
Hochuli, Gisela; Schlatter, Bruno
|
|
Performance am Festival ButohOff zum Thema "Eros Sacré" in der ancienne Synagogue Hegenheim |
2016 |
Kulka, Irena
|
|
Wer die Liebe tötet |
2006 |
Ghisalberti, Flavia; Feyfar, Patrik
|
|
pseudo - durch & durch (collaboration) |
an 1992 - today |
Dietrich, Guido; m.vänçi stirnemann
|
diverse
|
Carwash |
2014 |
Tun Tun, Melissa
|
Les Urbaines
|
Konzertauftritt Act Bern 2007 |
2007 |
[it sounds like rita]
|
|