| Titel | Jahr | author | Event |
|---|---|---|---|
New Ways of Visualizing the Planning of Time |
2020 | ||
Future Communications. Investigating Nonlinear Methods of Digital Communication |
2020 | ||
Transfer of a stone materiality |
2022 | ||
PAREGLISH - DIE TRACHT DES HOMO URBANUS HELVETICUS |
2018 | ||
ARCHIVING SELF |
2020 | ||
Die Tragödie der blauen Orangen |
2020 | ||
formator ludens – Der spielende Gestalter. Ein Werkzeug für Gestalter*innen zur Entwicklung von Ideen |
2020 | ||
Mallorca – donde no pude ir |
2020 | ||
Da steht ein Mensch vor mir (Glittering) Are you crying or am I crying |
2022 | ||
digital communication in the art museum environment |
2022 | ||
Look at the world and don't pretend everything's alright. History repeats itself, but this time it ends in the apocalypse. |
2018 | ||
Absurd |
2018 | ||
Padded Plywood |
2018 | ||
Die Darstellung von Natur in der Photographie |
2018 | ||
The Many Faces of Communication |
2018 | ||
Historia of Gloria |
2020 | ||
Die Bedeutung des Buches. Eine Untersuchung der Generation Y zu ihrem Umgang mit Büchern |
2020 | ||
Merging Spaces |
2018 | ||
Der Spiegel in der Porträtmalerei. Medium und Metapher |
2018 | ||
Fundament |
2018 | ||
the witch (precapitalist) / acant (moonish) / potential (rose) |
2018 | ||
Vals |
2018 | ||
Zeitraum |
2018 | ||
Transitions of Space |
2018 | ||
Video Work |
2018 | ||
Temporal Sentiments |
2018 | ||
another space of time |
2021 | ||
2.5 dimensional. a superflat nature |
2021 | ||
BEYOND THE FOREST. Die simulierte Natur |
2021 | ||
Have you seen my snake? + Epic Fail |
2021 | ||
so sad so sexy |
2021 | ||
The poetic story of a state-of-mind. Sharing emotional states through self-illustrated graphic narratives |
2021 | ||
I am not there |
2021 | ||
fagus noir |
2021 | ||
Designing and understanding pictorial language. Pictograms: their readability and the relation between them and illustrations |
2021 | ||
Elefant, Euter oder die Zahnfee?. Inwiefern können Skulpturen und Menschen miteinander interagieren? |
2021 |