| Titel | Jahr | author | Event |
|---|---|---|---|
wir/wir/wir (Entwürfe) |
2014 |
Hofmann, Leo; van Bebber, Benjamin
|
Platform Neues Musiktheater
|
Supercycle. The Transitional Nowness |
2018 | ||
Obelisk |
2004 |
Jennifer Kuhn, Vreni Wyrsch
|
Ausstellung Vreni Wyrsch
|
Betroffene Bereiche |
2021 |
Russi, Lara; Dober, Ida
|
Performance Reihe Neu-Oerlikon
|
Meditation publique #1 |
2010 |
Rohner, Isabel
|
Hyperactivite, Summerlab 2010
CAN/Marks Blond, Centre d'art Neuchatel
Place du Port, Neuchatel
Datum: 29. Juli 2010
|
Say These Names |
2016 |
Minder, Maya
|
Act Performance Festival
|
Pedro Meier, 2019, Finnegans Wake, Paraphrasen zu James Joyce, Licht- Sound Performance und Installation, Kulturzentrum Niederbipp. By Pedro Meier Multimedia Artist und Schriftsteller |
2019 |
Meier, Pedro
|
Kulturzentrum Niederbipp – Performancetage – 2019
|
The Digital Senses. Awareness of our Interactions with Digital Objects |
2018 | ||
how-to-do-speech-with-taqsim |
2018 |
Tuchacek, Alexander
|
|
hand and face |
2016, 2017 |
Hari, Gregory
|
Regionale 17 - Beyond the Real
|
Ecologies of dissemination |
2025 | ||
In Gemeinschaft |
2020 |
Römmelt, Ronja
|
|
Duo Krak (Performances) |
ab 1991 |
Schenker, Margrit; Vecellio, Valentin
|
AUA Festival, Atelier SU u.a.
|
Exhibitio (Pictures at an Exhibition): »Self Presentation and Self Destruction« |
2021 |
Konzert und Kunst: Bilder einer Ausstellung
|
|
| 2019 | |||
Hot Hot Hot |
2017-04-29 | ||
Hot Hot Hot |
2017-04-29 |
Welburn, Astrid
|
|
Yes to Paradise and its intense impact on our lives |
2020 | ||
Boa Vista / Vor der Tat |
2008 |
Hody, Anne
|
Museumsnacht und Ausstellung Boa Vista, Forum Vebikus
|
CRIA.TUA |
2025 |
Pirii Pimentel Rodrigues
|
|
Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 | ||
Es war etwas äusserst Praktisches.. It was also really practical. |
2018 | ||
FANFARE |
2020 | ||
Totentanz. Dance of death |
2018 | ||
Warum? |
2022 |
|
|
Is this me? |
2012 |
Naegelin, Barbara
|
International Performance Art Giswil
|
Monster-Show |
1969 |
Bruhin, Anton; Suter, Gebrüder; andere
|
|
»Retrospective of The Equation« (Shooting Information And Attacking Letter Formation Functions) |
1991 |
[Rammellzee]; Atem, Gen
|
|
peeling #1 |
2015 |
Luedi, Juerg
|
performanceABEND #drei Potential
|
Interview mit Bettina Holzhausen |
2022 |
|
|
never ending performance |
2021, 2022 |
Schmalz, René; Gombas, Gabriella; Fehrenbach, Elaine
|
|
Shame on you |
2019 |
Koller, Sara; Ismaily, Shahzad
|
Salon
|
Ohne Titel I |
2017 |
Hochuli, Gisela
|
BONE 20 - Festival für Aktionskunst
|
the red cloth - das rote Tuch |
2018 |
Hochuli, Gisela
|
8th edition of KONTEKSTY (CONTEXTS) International Sokolovsko Festival of Ephemeral Art” Performance, Polen – 26th to 30th of July 2018
|
Selfie im Bau II - performative Live-Intervention und Podcast |
2020 |
Rust, Dorothea
|
Treff.Kultur, PH FHNW: 23. September 2020 Live-Intervention mit Studierenden, ab 21. Oktober 2020 Podcast Video im Rahmen des Communis-Kulturtags
|
Theorieblock |
2005-04-09 |