| Titel | Jahr | author | Event |
|---|---|---|---|
Make-up |
2008 |
Edens, Saskia
|
Regionale
|
Maag on Mars |
2016 |
Maag, Irene
|
Rahmenprogramm Performancepreis Schweiz 2015
|
The Absence of Work |
2012 |
Bajo, Elena
|
Liste 17 – Performance Project
|
Konzertauftritt Act Bern 2007 |
2007 |
[it sounds like rita]
|
|
DAS DEUTSCHE HANDWERK beleuchtet Maag, Georgette; (Schweiz) beim Jodeln |
2001 |
Maag, Georgette; Raschke, Thomas; Rogler, Sebastian; [Das Deutsche Handwerk]
|
Final Cut (at night)
|
Emergency Feedback Service |
2013-04-13 | ||
Passaparola |
2021 |
Frei, Lilian
|
Corona Call Zürich
|
wir/wir/wir (Entwürfe) |
2014 |
Hofmann, Leo; van Bebber, Benjamin
|
Platform Neues Musiktheater
|
Supercycle. The Transitional Nowness |
2018 | ||
Obelisk |
2004 |
Jennifer Kuhn, Vreni Wyrsch
|
Ausstellung Vreni Wyrsch
|
Betroffene Bereiche |
2021 |
Russi, Lara; Dober, Ida
|
Performance Reihe Neu-Oerlikon
|
Meditation publique #1 |
2010 |
Rohner, Isabel
|
Hyperactivite, Summerlab 2010
CAN/Marks Blond, Centre d'art Neuchatel
Place du Port, Neuchatel
Datum: 29. Juli 2010
|
Say These Names |
2016 |
Minder, Maya
|
Act Performance Festival
|
The Digital Senses. Awareness of our Interactions with Digital Objects |
2018 | ||
how-to-do-speech-with-taqsim |
2018 |
Tuchacek, Alexander
|
|
hand and face |
2016, 2017 |
Hari, Gregory
|
Regionale 17 - Beyond the Real
|
In Gemeinschaft |
2020 |
Römmelt, Ronja
|
|
Duo Krak (Performances) |
ab 1991 |
Schenker, Margrit; Vecellio, Valentin
|
AUA Festival, Atelier SU u.a.
|
Exhibitio (Pictures at an Exhibition): »Self Presentation and Self Destruction« |
2021 |
Konzert und Kunst: Bilder einer Ausstellung
|
|
| 2019 | |||
Fotosession bei der Fotografin Gisela Gamper, Kingston, N.Y. |
1993 |
Schenker, Margrit
|
|
Yes to Paradise and its intense impact on our lives |
2020 | ||
Boa Vista / Vor der Tat |
2008 |
Hody, Anne
|
Museumsnacht und Ausstellung Boa Vista, Forum Vebikus
|
CRIA.TUA |
2025 |
Pirii Pimentel Rodrigues
|
|
»Retrospective of The Equation« (Shooting Information And Attacking Letter Formation Functions) |
1991 |
[Rammellzee]; Atem, Gen
|
|
Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 | ||
Es war etwas äusserst Praktisches.. It was also really practical. |
2018 | ||
FANFARE |
2020 | ||
Totentanz. Dance of death |
2018 | ||
Warum? |
2022 |
|
|
Is this me? |
2012 |
Naegelin, Barbara
|
International Performance Art Giswil
|
Monster-Show |
1969 |
Bruhin, Anton; Suter, Gebrüder; andere
|
|
FORÊT D'O |
2018 |
Bösch, Maya; Schürch, Dorothea
|
Up Festival
|
Interview mit Bettina Holzhausen |
2022 |
|
|
never ending performance |
2021, 2022 |
Schmalz, René; Gombas, Gabriella; Fehrenbach, Elaine
|
|
Shame on you |
2019 |
Koller, Sara; Ismaily, Shahzad
|
Salon
|