| Titel | Jahr | author | Event |
|---|---|---|---|
Teaching the radical - a syllabus |
2024 | ||
Revisit Reuse |
2024 | ||
Conversation with Jennifer Hayashida: Translating as a practice of reuse |
2025 | ||
Ecologies of dissemination |
2023-10 | ||
Teaching to Transgress Toolbox |
|||
Who is in the Classroom? |
2022 | ||
Library, A Network of Relations |
|||
Teaching the Radical Catalogue – a Syllabus |
|||
I only work with lost and found: [Goldrausch 2024] |
2024 | ||
Committing to decolonial feminist practices of reuse |
2024 | ||
Teaching the Radical Catalogue – a Syllabus |
2024 | ||
Library Making as Practice |
2025 | ||
Towards a decolonial feminist politics of reuse |
2024 | ||
Reading the Library. Eine Ausstellung zu feministischen und de-kolonialen Ansätzen der Wissensordnung |
2021 | ||
Publishing strategies: From “independent” to “intersectional” |
2023 | ||
Rewriting FAIRness |
2024 | ||
Confronting authorship, constructing practices – how copyright destroys collective practice |
2019 | ||
More verb, less noun – Publishing as collective practice |
2019 | ||
Paper Struggles |
|||
Motet Cycles Database |
2018 | ||
Sacrum Monarchiae Speculum, Der Sacre Ludwigs XV. 1722: Monarchische Tradition, Zeremoniell, Liturgie |
2007 | ||
Gaffurius Codices Online |
2019 | ||
Symposium |
2009-03-19 | ||
Violons |
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Generalbass-Compendium Eine Art Vokabular, für den Gehörbildungsunterricht zusammengestellt |
2018 | ||
Web Recording Motet Cycles Website |
2018 | ||
Kontrabaß-Oboe und Großbaß-Pommer: Zu Traditionsüberlagerungen im 18. Jahrhundert |
1994 | ||
Rinascimento italiano e committenza valenzana: gli angeli musicanti della Cattedrale di València: atti del Convegno Internazionale di studi, Roma, 24-26 gennaio 2008 |
2011 | ||
Motet Cycles Bibliography |
2018 |