| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Shifts in Mapping: Maps as a Tool of Knowledge |
2021-11-26 |
Schranz, Christine
|
Shifting is Mapping
|
|
|
How Can Plant Behavior Be Researched |
2025 |
Tielbörger, Katja et al.
|
Plant_Intelligence
|
|
Wie der Wind chunt cho blase |
2015-04-11 |
Iseli, Monika
|
ACT Performance Festival
|
|
|
Schwarm |
2015-04-11 |
Cueni, Nadine et al.
|
ACT Performance Festival
|
|
|
Ohne Titel |
2015-04-11 |
Badel, Flurina et al.
|
ACT Performance Festival
|
|
|
“Aimable vainqueur” – version 1 with “musica antigua” Recording of the music |
2023 |
Gal, Mojca; Grobelnik, Thys
|
OpenAccessPublikationen
|
|
|
Concept Art. Weltenbauen im Raumbild |
2018 |
Ludwig, Ivo
|
Diplom HGK
|
|
|
Wiederentdeckung einer Trompette marine von F. Saraillac nach Plänen J.-B. Prins |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Les fifres dans les compagnies entre 1660 et 1761 |
2009 |
van Cornewal, Sarah
|
OpenAccessPublikationen
|
|
|
Roland Jung: Dualitäten : Arbeiten aus den Jahren 1979-1982 : Ausstellung in der Galerie Littmann, Basel, 21.10.-20.11.1982 |
1982 |
Jung, Roland et al.
|
Werke
|
|
|
Death of Women: The Dark Side of Modern Design History |
2021 |
Midal, Alexandra
|
Memory Full
|
|
|
Why does it make sense to speak of intelligence in nature? Yvonne Volkart in conversation with Jeremy Narby |
2025 |
Narby, Jeremy et al.
|
Plant_Intelligence
|
|
|
Cosmic Strings II |
2018 |
Eller, Tomas
|
Videocity_memoriav
|
|
|
Das fremde Gesicht |
2015-04-11 |
Stiffler, Alexandra
|
ACT Performance Festival
|
|
|
Backstage |
2015-04-11 |
Studer-Harper, Christoph
|
ACT Performance Festival
|
|
|
A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs |
2020 |
Cavazzoni, Andrea
|
Diplom HGK
|
|
|
H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) |
2016 |
Wentz, Jed
|
OpenAccessPublikationen
|
|
|
Die «Écuries» von Versailles |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Die "Écuries" von Versailles |
Hirsch, Thilo
|
GrandeEcurie
|
|
|
Sullivans Creek, cemented |
2020-07-03 |
van Gelder, Pia
|
Peripher_ies
|
|
Drain |
2020-07-03 |
van Gelder, Pia
|
Peripher_ies
|
|
|
OUN |
2012-04-05 |
Reymond, Laetitia
|
ACT Performance Festival
|
|
|
Say the names |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
Say the names |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
Mutanta |
Vipera, Zora
|
ACT Performance Festival
|
|
|
|
Food is an important part of a balanced diet |
2020 |
Olsson, Isabell
|
HyperWerk
|
|
|
Building a Ganassi Viol |
2014 |
Kraft, Judith
|
OpenAccessPublikationen
|
|
|
The Musical Aesthetic of the Singbewegung |
2016 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
Dessobons and archaeodesign |
2021 |
Gutierrez Borrero, Alfredo
|
Memory Full
|
|
|
I Grow, Therefore I Am. A foreword as an exchange of ideas |
2025 |
Meyer, Kathrin et al.
|
Plant_Intelligence
|
|
Der Katalog als Erzählung. Über die «Library of Inclusions and Omissions» |
2021 |
Weinmayr, Eva
|
e-Publications
|
|
|
Pressedossier Tomas Eller «Cosmic Strings I» |
2018 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
flowmotion |
2011 |
Pavloski, Roland
|
HyperWerk
|
|
|
Studies VII (with kind permission of Annie Sprinkle) |
2015-04-11 |
Bogle, Juergen
|
ACT Performance Festival
|
|
|
Towards Love |
2015-04-11 |
Kadiša, Anastasija et al.
|
ACT Performance Festival
|
|
|
Publikum/Event |
2015-04-11 |
ACT Performance Festival
|