| Titel | Jahr | author | Event |
|---|---|---|---|
Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 |
01.11.2018 |
Schürch, Dorothea
|
|
"About Time" and "CONFETTI - Until it pops": Artist talk with Mercedes Borgunska and Mélanie Gobet in conversation with Valerian Maly |
2022 |
Gobet, Mélanie; Borgunska, Mercedes; Maly, Valerian
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n / BANG BANG – translocal hi:stories of performance art.
|
ORLANDO |
2020 |
Hunter, Chris
|
|
On the edge of: Goldrausch 2023 |
2023 | ||
"Solve et coagula" (lat. löse und verbinde) |
2018 | ||
Eat Art Apéro and Lunch |
01.11.2018 |
Erni, Antonia
|
|
Aquelarre |
2021 |
Funes, Luján
|
|
DER LÄNGSTE TAG. 16 Stunden nonstop Performances unter freiem Himmel |
2018 | ||
Frühe Streichinstrumente I |
2013 | ||
Transformer 1 - Biel |
2003 |
transformer 1 - Biel
|
|
Couture Graphic |
2015 |
Sommer,, Andrea; Morger, Priska; Grossenbacher, Kathrin; Kohler, Sasa; Haueter, Livia; Senn, Liv
|
|
Maypole und andere Performances |
2014 |
Kopytsa, Alina; Ackermann, Glynis; de Roodt, Gerard; Lauener, Selina
|
jolimai
|
I only work with lost and found: [Goldrausch 2024] |
2024 | ||
Pressedossier Tomas Eller «Cosmic Strings I» |
2018 | ||
Papin Madness |
2018 | ||
Pfeifkonzert der Knaben. Boys' catcalls |
2018 | ||
EDUCATION SENTIMENTALE |
2018 | ||
Wortkörper |
2005 |
|
|
WHAT PEOPLE DO TO EACH OTHER - Study Trip |
2019 |
Bakhit, Bakri; Bell, Dirk; Wagemans, Esmay; Roth, Evelyne; Uslu, Feride; Lange, Nils Amadeus; Morger, Priska; Haddad, Yasmina
|
|
Out of classroom in Stolpe, Germany – Body molds from workshop with sci-fi artist Esmay Wagemans |
2019 | ||
whiteflag |
ab 2019 |
Magos, Gabriel
|
|
"LUSTHAFTER MOMENT". "SENSUAL MOMENT" |
2018 | ||
The M, Other and Dick |
2019/2020 |
Ceresola, Noëmi Anna Tina
|
|
Interiors 2 |
2007 |
Grau, Pascale
|
|
Viola da gamba, 1604 |
1604 | ||
Performance at Kunst Raum Riehen |
2018 |
Rösch, Christine; Waldhart, Matthias; Lange, Nils Amadeus; Stutz, Barbara; Schmid, Eva-Maria; Regotz, Gloria; Čolić, Jana; Reitmann, Janine; Müller, Laura; Preissle, Lisa; Herbstrith, Stefanie
|
|
Begegnung mit dem Verschwinden |
2021 |
Singeisen, Caroline
|
lesjoursdesephemeres.ch
|
holzbock (film) |
2008 |
Köfer, Andri [köfer | hess]; Hess, Robert [köfer | hess]
|
|
"There is nothing more - but time" |
2018 | ||
Allegoria |
2018 | ||
Finance Infrastructures and Monetary Systems in Troubling Times |
2026 | ||
Fotodokumentation von videocity 2017 "∑-Summe aus der Region Basels" |
2017 | ||
Nairs in movimaint |
2017 |
Hausheer, Angela; Tanner, Ariane; Unternährer, Beat; Rust, Dorothea; Fiedler, Heike; Maag, Irene; Huber, Judith; Stanic, Lara; Bachmann, Leo; Imperatori, Manuela; Ritzmann, Marion; Lazic, Milenko; Pfister-Köfler, Hansjörg [Mirzlekid]; Lampert, Pascal; Grau, Pascale
|
Nairs in movimaint
|
Les Fontaines. The Making of |
2007 |
Erb, Klodin [mit]; Hagmann, Sabine [mit]; Michell, Regula [mit]; Rérat, Gabriele [mit]; Rutishauser, Eliane [mit]; Schreiber, Karoline [mit]; Wandeler, Meret [mit]; Zobrist, Agatha [mit]; Züllig, Hanna [mit]
|
2007 International Incheon Women Artist?s Biennale IWAB, Incheon/Korea
|
o.T. |
2014 |
Meyer, Alexandra; Hunter, Chris
|
Das Ohr an der Tür
|
Borrachero, „Teufelsatem“, Engelstrompete: Was möchte diese Pflanze von uns? |
2025 |