| Titel | Jahr | author | Event |
|---|---|---|---|
collective bodies |
2018 |
Grimm, Claudia
|
Shrinagar Biennale Basel
|
La mort existe |
2004 |
Ghisalberti, Flavia; Feyfar, Patrik
|
|
Home Catherine: desk |
2020-04-17 | ||
Readymade Grüüschschsch — Zum Hörwissen (in) der Performancekunst |
2019 |
Weismann, Steffi; Eisenächer, Janine
|
LEFTOVER
|
Paloma, Performance mit Video |
2020 |
Grau, Pascale
|
6 x 2 Performance-Duos
|
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 | ||
Geh die Parzelle |
2015 |
Lerjen, Marie-Anne
|
museum1
|
Who is in the Classroom? |
2022 | ||
Rest–Druckverfahren. Aufwertung von organischen Nebenprodukten als temporäres, synästhetisches Druckerzeugnis |
2018 | ||
connected tongue |
1996 |
Jost, Karin [JOKO]; Kopp, Regula J. [JOKO]
|
Hör/Blick, 3 Tage Musik und Kunst
|
In Formation. Future Memoirs of Indian Matchbox labels |
2022 | ||
Tour d'art |
|||
o.T. |
2013 |
Lipp, Dominik
|
1er Jours des éphémères
|
BUMPER TO BUMPER — Expedition bekoffert |
1982 |
Ferro, Knopp; Vogel, Yvonne
|
Kunstausflug an die Dokumenta Kassel / Ausstellung in der Roten Fabrik Zürich
|
Astronauten-Schuhabdruck in Originalgrösse |
1969 |
Bruhin, Anton; Bossert, Hannes R.
|
|
Ping Pong |
2003 |
Richnow, Ute
|
Begegnungen an der Grenze
|
Vor-Bilder |
1992 |
|
|
Konzertauftritt Act Bern 2007 |
2007 |
[it sounds like rita]
|
|
The Field Selfinterview in Umbigo Magazine. |
2021, 2022 |
[The Field]
|
|
nackt gehen max 1m/min |
2010 |
|
|
Das Exchange Programm |
2015 |
Geröcs, Julia
|
Swiss Art Awards
|
Censored to Be Seen. Investigations into the Visual Manifestation of Censorship |
2020 | ||
Pagana |
2021 |
Lascano, Maja
|
Die Raum
|
The Ray of Harald Zeemann |
2014 |
Canarezza, Rita; Coro, Pier Paolo
|
Roaming - Riposizionamenti
|
Marmor Stein und Eisen bricht |
2015 |
Frei, Lilian
|
Performancepreis Schweiz
|
Typegenosse – An Interactive Learning and Teaching Platform |
2020 | ||
Sorry Guys |
1997 |
Michel, Chantal
|
|
Crackling |
2020-07-03 | ||
Crackling |
2020-07-03 | ||
Tunnel |
2020-07-03 | ||
Triebjagd |
1996 |
[Andalus]
|
Triebjagd
|
Piercing cinema: an inquiry into the versatility of the screen space configurations |
2022 | ||
Rooms of Remembrance. Zeitschnitt. Die Klybecker Nacht der Erinnerung |
2020 | ||
Geh das Viererfeld |
2019 |
Lerjen, Marie-Anne
|
Landschaft Viererfeld (Ausstellung)
|
Visual Authorship under the Aspects of Market and Advertising Psychology |
2018 | ||
I forgive you |
2016-04-23 |
Hennig Marques, Barbara; Valanovic, Dejana
|