| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
VAULT |
Morger, Priska; Ghoul, Naima
|
Next Generation
|
|
|
Julchen |
2004 |
Gerosa, Gabriella
|
Videocity_memoriav
|
|
First Contact with MxM@ |
2015-04-11 |
ACT Performance Festival
|
|
|
|
First Contact with MxM@ |
2015-04-11 |
ACT Performance Festival
|
|
|
|
The secret behind Cesare Bendinelli’s (1542–1617) “Volume di Tutta l’arte della trombetta” (1614) |
2023 |
Madeuf, Jean-François et al.
|
OpenAccessPublikationen
|
|
|
12 Amuletos 13 Mujeres | 12 Amulets 13 Women |
2021 |
Lascano, Maja
|
Doce en Diciembre
|
|
|
ohne Titel |
2017-04-29 |
Galovic, Gloria et al.
|
ACT Performance Festival
|
|
|
HannahGloria |
2016-04-23 |
Galovic, Gloria
|
ACT Performance Festival
|
|
|
2017-04-22 |
Fellmann, Jordis
|
ACT Performance Festival
|
|
|
|
Blind Date |
2017-04-22 |
Galovic, Gloria et al.
|
ACT Performance Festival
|
|
|
smuc.kitchen Field Test explainer |
2024-07-19 |
Bedö, Viktor
|
SMUC
|
|
|
New York Wände |
2000 |
Hiepler, Esther et al.
|
Revolving Histories
Viper – Internationales Film und Videofestival, Basel
|
|
|
Giving bad people good ideas |
2020 |
Danz, Mara
|
Diplom HGK
|
|
|
Runtime |
2015 |
Lapschina, Lena
|
Summe2017
|
|
I Speak Radio |
2024 |
Bromley, Anna et al.
|
e-Publications
|
|
|
In Visible Archives |
Hoogkamer, Jules et al.
|
Next Generation
|
|
|
|
Reimagining The Rhine |
Hu, Qingyan et al.
|
Next Generation
|
|
|
|
etwas ist geblieben |
Prekas, Alexander
|
Next Generation
|
|
|
|
Trobadora Broll singing about Lady Goddesses at the Equator |
2021 |
Regn, Chris
|
Doce en Diciembre
|
|
|
word.wide.weaving |
Pregger, Laura et al.
|
Next Generation
|
|
|
HUB |
2014 |
Lüber, Heinrich et al.
|
Revolving Histories
|
|
|
Mitwelten |
Torpus, Jan et al.
|
Mitwelten
|
|
|
Ohne Titel |
2021 |
Peñaloza, Maricruz et al.
|
Revolving Histories
PEPA - Pequeño Evento de Performance Art
|
|
|
Die Online-Sammlung Revolving Histories lesen: Direktübertragung – Kollektive Körper und translokale Mappings |
2024 |
Lurk, Tabea et al.
|
Revolving Histories
Revolving Histories - Affidamento: Verpflegung und digitales Material
|
|
|
PRESENCING |
2018-04-14 |
Kocakaya, Sibel
|
ACT Performance Festival
|
|
|
01 | Introducing the research project Cultural Spaces and Design |
2017-06-20 |
Halter, Regine
|
CulturalSpace&Design - Research
|
|
Master Plan (children’s edition) |
2014 |
Kovacevska, Verica et al.
|
Revolving Histories
DER LÄNGSTE TAG / THE LONGEST DAY 2014 – 16 Stunden nonstop Performances unter freiem Himmel
|
|
landscaping (reflections) |
2011 |
Hausheer, Angela et al.
|
Revolving Histories
Das andere Sommerfest im Val Plavna, NAIRS Zentrum für Gegenwartskunst
|
|
|
STRIVING 4 CONNECTION & SEARCHING FOR SOFT SPACES |
2024 |
Kober, Seraina Maria
|
HyperWerk
|
|
If I were in your shoes I would wear your shoes |
2016 |
De Pinto, Pier Giorgio et al.
|
Revolving Histories
Manifesta 11 - Zurich
|
|
AFTERTASTE: PERFORMING THE MOLECULAR ORCHESTRA |
2021 |
Scott, Jill et al.
|
Revolving Histories
Air_Waste_Health_Water_Energy_Soil
|
|
|
The Blue Cube Videos |
2017 |
Nilo, Dawn et al.
|
Revolving Histories
Exhibited at: Xeniseum Museum for Education, Rythmno Greece (2019), “Unfrozen Education or How to relearn”, curated by Yota Tsotra and Dimitra Charamandas. / Swiss Performance Art Awards (2017), Gessneralle, Zurich, Switzerland
|
|
My home has a golden Guest |
2011 |
De Pinto, Pier Giorgio et al.
|
Revolving Histories
|
|
|
A.Z.L.E. BOUILLON |
2020 |
Eberle, Anna Zoe Luna
|
Diplom HGK
|
|
|
Switzerland (15 x 20) |
2015 |
Imam, Parvez
|
Summe2017
|
|
Crackling |
2020-07-03 |
Fleming, Clare
|
Peripher_ies
|