| Titel | Jahr | author | Event |
|---|---|---|---|
Keimfrei |
1998 |
Hody, Anne
|
Ausstellungsprojekt "Nonlieux - Poesie des Nichtortes"
|
The EcoFamily. Climate Change and the Ecologically Friendly Educational Tool |
2020 | ||
Vom Hörenschlagen |
2019 |
Schneider, Olivia Talina Fosca
|
|
Die Puppe spielen |
2018 | ||
Ideally we would shine |
2020 | ||
Konzertauftritt Act Bern 2007 |
2007 |
[it sounds like rita]
|
|
Der Hosenträger |
2001 |
Mäder, Urban
|
|
Sacre de Louis XV, Le Roy allant à l'église, 1722 |
1722 | ||
SCENARIO |
2019 | ||
Without qualities |
2011 |
Brabant, Myriam; Fiedler, Heike; Haziza, Natal; Pérès, Claude; Salomo, Michel; Tate, Sharon; [Voin de Voin]; Young, Ann Liv
|
|
invisible |
2020 |
Abrecht, Delphine; Astier, Claire; Bakmaz, Milena; Bhandari, Kiran; Braletic, Jovana; Burman, Rea; Damnjanovič, Milena; Dufay, Rémi; Duyvendak, Yan; Gomes, Ariedon; Hofman, Monica; Josalkar, Pitambari; Jovanovič, Katarina; Jovičin, Damjan; Kotterer, Merel; Latinović, Sanja; Mendes, Wency; Methalaka, Grana Velencia; Nektan, Marco; Marisa Pereira, Phoebe; Perret, Claire; Peter, Keith; Piguet, Jean-Daniel; Ramanathan, Parvathi; de Souza, Daphne; Terrapon, Charlotte; Uzikaeva, Olga; van Vliet, Jaana; van Voorn, Marian; van der Wijk, Karijn; Yeoman, Mark; van der Zwaan, Milan;
|
|
Lay Down |
2019 |
König, Lysann
|
International Performance Art Giswil 2019 – Full Moon Edition
|
collective bodies |
2018 |
Grimm, Claudia
|
Shrinagar Biennale Basel
|
La mort existe |
2004 |
Ghisalberti, Flavia; Feyfar, Patrik
|
|
Home Catherine: desk |
2020-04-17 | ||
Readymade Grüüschschsch — Zum Hörwissen (in) der Performancekunst |
2019 |
Weismann, Steffi; Eisenächer, Janine
|
LEFTOVER
|
Paloma, Performance mit Video |
2020 |
Grau, Pascale
|
6 x 2 Performance-Duos
|
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 | ||
Geh die Parzelle |
2015 |
Lerjen, Marie-Anne
|
museum1
|
Who is in the Classroom? |
2022 | ||
Rest–Druckverfahren. Aufwertung von organischen Nebenprodukten als temporäres, synästhetisches Druckerzeugnis |
2018 | ||
connected tongue |
1996 |
Jost, Karin [JOKO]; Kopp, Regula J. [JOKO]
|
Hör/Blick, 3 Tage Musik und Kunst
|
In Formation. Future Memoirs of Indian Matchbox labels |
2022 | ||
Tour d'art |
|||
The Field Selfinterview in Umbigo Magazine. |
2021, 2022 |
[The Field]
|
|
o.T. |
2013 |
Lipp, Dominik
|
1er Jours des éphémères
|
nackt gehen max 1m/min |
2010 |
|
|
BUMPER TO BUMPER — Expedition bekoffert |
1982 |
Ferro, Knopp; Vogel, Yvonne
|
Kunstausflug an die Dokumenta Kassel / Ausstellung in der Roten Fabrik Zürich
|
Astronauten-Schuhabdruck in Originalgrösse |
1969 |
Bruhin, Anton; Bossert, Hannes R.
|
|
Ping Pong |
2003 |
Richnow, Ute
|
Begegnungen an der Grenze
|
Vor-Bilder |
1992 |
|
|
Konzertauftritt Act Bern 2007 |
2007 |
[it sounds like rita]
|
|
Das Exchange Programm |
2015 |
Geröcs, Julia
|
Swiss Art Awards
|
Censored to Be Seen. Investigations into the Visual Manifestation of Censorship |
2020 | ||
Pagana |
2021 |
Lascano, Maja
|
Die Raum
|
The Ray of Harald Zeemann |
2014 |
Canarezza, Rita; Coro, Pier Paolo
|
Roaming - Riposizionamenti
|