| Titel | Jahr | author | Event |
|---|---|---|---|
Widerstand und ästhetische Praxis. Eine fragmentarische Erkundung |
2019 | ||
Mental sanctuary: Analysis on visual parameters |
2021 | ||
Ein Versuch glücklich zu werden |
2011 |
Sidler, Celia; Sidler, Nathalie
|
Museumsnacht Basel
|
Konzertauftritt Act Bern 2007 |
2007 |
[it sounds like rita]
|
|
Jeu d'enfant. Tirelire, monnaie. |
2015-04-11 | ||
Corpus |
2025-04-26 |
Durisch, Larissa; Bouzas Da Costa, Milena
|
|
Mutantenstadl |
2011 |
[Mutantenstadl]
|
Fusion Festival Stelzenwald
|
Mutantenstadl |
2011 |
[Mutantenstadl]
|
Fusion Festival Stelzenwald
|
Performance im Quadrat |
2020 |
Scherrer, Ursula
|
|
Transitions of Space |
2018 | ||
Drawing through Words – Reading through Images. Alternative Visualizations of Architectural Spaces |
2017 | ||
Hotel Drachenburg1 |
2018 |
Schmalz, René; Gombas, Gabriella
|
Rollenspiele
|
Plants Intelligence - Exhibition |
2025 | ||
Almost on the verge of collapse |
2022 |
Bosque, Paloma
|
|
Cocktatoos dusk |
2020-07-03 | ||
Keimfrei |
1998 |
Hody, Anne
|
Ausstellungsprojekt "Nonlieux - Poesie des Nichtortes"
|
The EcoFamily. Climate Change and the Ecologically Friendly Educational Tool |
2020 | ||
Vom Hörenschlagen |
2019 |
Schneider, Olivia Talina Fosca
|
|
Die Puppe spielen |
2018 | ||
Ideally we would shine |
2020 | ||
Konzertauftritt Act Bern 2007 |
2007 |
[it sounds like rita]
|
|
Der Hosenträger |
2001 |
Mäder, Urban
|
|
Sacre de Louis XV, Le Roy allant à l'église, 1722 |
1722 | ||
SCENARIO |
2019 | ||
Without qualities |
2011 |
Brabant, Myriam; Fiedler, Heike; Haziza, Natal; Pérès, Claude; Salomo, Michel; Tate, Sharon; [Voin de Voin]; Young, Ann Liv
|
|
invisible |
2020 |
Abrecht, Delphine; Astier, Claire; Bakmaz, Milena; Bhandari, Kiran; Braletic, Jovana; Burman, Rea; Damnjanovič, Milena; Dufay, Rémi; Duyvendak, Yan; Gomes, Ariedon; Hofman, Monica; Josalkar, Pitambari; Jovanovič, Katarina; Jovičin, Damjan; Kotterer, Merel; Latinović, Sanja; Mendes, Wency; Methalaka, Grana Velencia; Nektan, Marco; Marisa Pereira, Phoebe; Perret, Claire; Peter, Keith; Piguet, Jean-Daniel; Ramanathan, Parvathi; de Souza, Daphne; Terrapon, Charlotte; Uzikaeva, Olga; van Vliet, Jaana; van Voorn, Marian; van der Wijk, Karijn; Yeoman, Mark; van der Zwaan, Milan;
|
|
Lay Down |
2019 |
König, Lysann
|
International Performance Art Giswil 2019 – Full Moon Edition
|
collective bodies |
2018 |
Grimm, Claudia
|
Shrinagar Biennale Basel
|
La mort existe |
2004 |
Ghisalberti, Flavia; Feyfar, Patrik
|
|
Home Catherine: desk |
2020-04-17 | ||
Readymade Grüüschschsch — Zum Hörwissen (in) der Performancekunst |
2019 |
Weismann, Steffi; Eisenächer, Janine
|
LEFTOVER
|
Paloma, Performance mit Video |
2020 |
Grau, Pascale
|
6 x 2 Performance-Duos
|
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 | ||
Geh die Parzelle |
2015 |
Lerjen, Marie-Anne
|
museum1
|
Who is in the Classroom? |
2022 | ||
Rest–Druckverfahren. Aufwertung von organischen Nebenprodukten als temporäres, synästhetisches Druckerzeugnis |
2018 |