| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Lichtlabor |
2018 |
Wespi, Natalia et al.
|
Revolving Histories
Lichtlabor°
|
|
Kairos |
2020 |
Buffard, Lara et al.
|
Revolving Histories
fêtons nos 20 ans ensemble
|
|
arme leuchte küche |
1998 |
Köfer, Andri [eine kelvinatoraktion] et al.
|
Revolving Histories
|
|
|
TAPED |
1975 |
Scott, Jill et al.
|
Revolving Histories
Body action in the public space
|
|
BodyPainting-Performance |
1990 |
Wahlen, Friedrich et al.
|
Revolving Histories
|
|
|
On The Move |
2017-06-16 |
Falk, Anka
|
CulturalSpace&Design - Research
|
|
Der Raum nach dem Werk Zugänge und Ausschlüsse in Ausstellungsräumen |
2026 |
Müller, Noah
|
HyperWerk
|
|
|
Sichtbarkeit und Wirkung |
2025 |
Recher, Jannis
|
HyperWerk
|
|
|
Rauch |
siehe weitere Infos |
Bottini, Max et al.
|
Revolving Histories
siehe weitere Infos
|
|
|
pressespiegel 2015 |
2015 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
eppur si muove No. 3 |
2013/2019 |
Mundwiler, Sebastian
|
Videocity_memoriav
|
|
|
Nr. 4 |
2015 |
Szabo, Manuel
|
Videocity_memoriav
|
|
|
Sonnenfänger: Blumen als Antennen und Anziehungsobjekte |
2025 |
Smite, Rasa et al.
|
Plant_Intelligence
|
|
|
A glossary observing (in)formality. Understanding Mesagkala |
2019 |
Pantazopoulou, Agni et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Have I ever spoken properly? |
2021 |
Narisawa, Kihako et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Sun-Catchers, Sensors, Shape-Shifters: Reclaiming the Intelligence of Plants |
2025 |
Volkart, Yvonne et al.
|
Plant_Intelligence
|
|
|
nackt gehen max 1m/min |
2010 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
word wide web Sewing a Storybook |
2025 |
Eigenheer, Julia
|
HyperWerk
|
|
|
Archives and Databases for Artists by Artists |
02.11.2018 |
Newman, Hayley; Reedy, Bryan
|
Archive des Ephemeren
|
|
|
Diagraming Practice: a Workshop exploring Archives and their Relationship to Databases |
02.11.2018 |
Newman, Hayley; Reedy, Bryan
|
Archive des Ephemeren
|
|
All es verschlingt! |
2017 |
Luv, Linda; Fasel, Patric
|
Revolving Histories
ACT Luzern
|
|
Dialog des Herzens |
2012 |
Meyer, Alexandra et al.
|
Revolving Histories
|
|
Gut Kirschen essen |
2017 |
Meyer, Alexandra et al.
|
Revolving Histories
Ausstellung "à Discretion"
|
|
breathing psoas |
2021 |
Plonka, Anja et al.
|
Revolving Histories
Filmfest Bochum
|
|
|
Blutwurst |
2011 |
Meyer, Alexandra et al.
|
Revolving Histories
|
|
Tisch |
2002–2008 |
Bottini, Max et al.
|
Revolving Histories
Ausstellung "Food Design"
|
|
peeling #3 |
2017 |
Luedi, Juerg et al.
|
Revolving Histories
Interakcje XIX INTERACTIONS International Art Festival 8-12 May 2017
|
|
|
micro IV |
2015 |
Sunarjo, Benjamin et al.
|
Revolving Histories
|
|
Patten und Elden im Wald |
2008 |
Treyer, Elda
|
Revolving Histories
|
|
|
Eheringe |
2011 |
Meyer, Alexandra et al.
|
Revolving Histories
|
|
STRIPTICE |
2017 |
Vogel, Andrea et al.
|
Revolving Histories
Ausstellung "Geiler Block"
|
|
Küsse kauen und wiederverdauen |
2020 |
[DIEL + AFFENTRANGER] et al.
|
Revolving Histories
Ausstellung "In Transition"
|
|
|
Wer die Liebe tötet |
2006 |
Ghisalberti, Flavia et al.
|
Revolving Histories
|
|
|
13 Full Moons |
2019 |
Edens, Saskia et al.
|
Revolving Histories
Kyta residency
|
|
|
There is no such thing as a void |
2013 |
Brugger, Daniela
|
Revolving Histories
|
|
|
Stockfisch |
1998 |
Bottini, Max et al.
|
Revolving Histories
Stockfisch
|