| Titel | Jahr | author | Event |
|---|---|---|---|
MTC/TMC Symposium Recording |
2024-06-20 |
Bedö, Viktor
|
|
m.a.d. - about you |
2021 |
Reding, Valerie
|
Zürich Tanzt
|
Cooking |
2020-07-03 | ||
EDUCATION SENTIMENTALE |
2018 | ||
Boris' Stein |
2019 |
Hensler, Markus
|
|
Le Pont-Neuf vu de l'entrée de la place Dauphine, ~1635 |
1635 | ||
An Atlas About Letterforms. An Atlas About Letterforms Letters to investigate the format of the Atlas today |
2019 | ||
Freudvolle Angelegenheit Nr. 1 |
2020 |
Diel, Bettina
|
Bonus Track 2
|
Personal Visualization of Medication Information |
2018 | ||
f: La Répète |
siehe pdf |
Köhle, Petra; Vermot-Petit-Outhenin, Nicolas
|
f: la répète, le foyer
|
How Will We Be Remembered?. Social Media Images as Future Remnants |
2020 | ||
HABIT:ARE. Wohnen als Handlung |
2020 | ||
Wortkörper |
2005 |
|
|
Silk Membrane / Seidene Membrane |
2002 |
3rd Gyumri International Biennial of Contemporary Art
|
|
Figurine |
2014 |
Meyer, Alexandra; Hunter, Chris
|
|
Juchzer-Walk |
2017 |
Lerjen, Marie-Anne
|
Das Spazierbüro. Ein Festival
|
Toast extra |
2007-05-06 | ||
REMEMBER TSKALTUBO HOT POTS, GEORGIEN |
2016 |
Huber, Judith; Hochuli, Gisela
|
Tskaltubo Hot Pots im Ungefähr, innerhalb der Ausstellung im Ungefähr mit Nino Sekhniashvili, Giorgi Zagareli, Sara & Natascha und Gästen in Zusammenarbeit mit Nic Bezemer, Annina Zimmermann und Galerie Helga Broll
|
RAINFOREST |
2018 |
Vogel, Andrea
|
Privater Anlass
|
ODAKIM |
2018 |
Pfister, Nara; Pfister-Köfler, Hansjörg [Mirzlekid]
|
Kunst im Ring
|
Together Elsewhere 06: Jan-Egil Finne und Markus Goessi |
23.01.2022 |
Finne, Jan-Egil; Goessi, Markus
|
|
L'art militaire, Fiffres et Hautbois, ~1695 |
1695 | ||
Performancepublikationen |
2010, 2012, 2019 |
Grau, Pascale; andere
|
|
How to Visualize Emotional Expressions of Artificial Intelligence. Designing for an Affective Human-A.I. Interaction |
2020 | ||
Typographic Image |
2018 | ||
Designing in Metaphors. An analysis of metaphorical thinking in poster design and its creative potential |
2019 | ||
The Hands of the Babylonian Slaves, Performance und Installation, Art Campus Attisholz, Switzerland. 2016. By Pedro Meier Multimedia Artist und Schriftsteller |
2016 |
Meier, Pedro
|
Art Campus Attisholz – Kettenreaktion 2016
|
SALIVA |
2019 | ||
VDK – Virtual Design Kit |
2019 | ||
Mansgoegle |
2018 |
Magos, Gabriel
|
Kunst Szene Zürich 2018
|
On Publishing Art and Design Critique |
2018 | ||
Money, the sound of trying to get what you need to live |
2020-07-03 | ||
Cassandra’s Genesis. The realization of Utopia |
2022 | ||
micro IV |
2015 |
Sunarjo, Benjamin
|
|
the growth |
2020 |
Pellegrinelli, Laura
|
Ausstellung "leave a word – hinterlasse ein Wort"
|
Are Images an Epistemic Medium? |
2019 |