| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Passerelle (Prologue) |
2018-04-18 |
Sentkar, David
|
ACT Performance Festival
|
|
|
FEED#4 (StandUp Philosophy) |
2017 |
Schoch, Steven et al.
|
Revolving Histories
BIKINI Performance Dayzz
|
|
I Object |
2020, 2021 |
[The Field] et al.
|
Revolving Histories
|
|
|
Are Images an Epistemic Medium? |
2019 |
Carter, Caitlin
|
Diplom HGK
|
|
|
Valere |
Grau, Elvira
|
Next Generation
|
|
|
|
Identification Service Facility |
2025-05-17 |
Identification Service Facility et al.
|
ACT Performance Festival
|
|
|
Einladung zum Essen |
2010-04-24 |
von Moos, Mimi
|
ACT Performance Festival
|
|
Who is in the Classroom? |
2022 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
da will ich nach dir blicken |
2015-17 |
Steffen, Patrick
|
Summe2017
|
|
|
Noerah |
Lüthi, Sarah
|
Next Generation
|
|
|
|
Noerah |
Desch, Laura
|
Next Generation
|
|
|
|
Why You Are Taking My Picture |
2018 |
Mihaylova, Albena et al.
|
Revolving Histories
Second Edition «Tree of Life. Genealogy of Bulgarian Contemporary Art»
|
|
|
2018-04-18 |
Murray, Emma; Wiersch, Latefa
|
ACT Performance Festival
|
|
|
|
à changer |
2018-04-18 |
Rickhaus, Andrea
|
ACT Performance Festival
|
|
bus squeeks dialogue movement inside |
2020-07-03 |
Sutherland, Sophie
|
Peripher_ies
|
|
|
2.5 dimensional. a superflat nature |
2021 |
Rappold, Audrey
|
Diplom HGK
|
|
|
Jouissance - Seducers's Map |
2025-04-26 |
Wang, Liqi
|
ACT Performance Festival
|
|
|
UnternehMENSCHoreographie |
2013 |
Kolo, Katrin et al.
|
Revolving Histories
|
|
|
ARCHIVING SELF |
2020 |
Haupt, Tatjana Pauline Catherine
|
Diplom HGK
|
|
|
Beyond What the Eye Can See |
Karabulut, Feyza Hilal
|
Next Generation
|
|
|
|
Signel - Electroluminescent Signaling Glove for Urban Cycling |
2013 |
Chavarro, Sandra et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
f: La Répète |
siehe pdf |
Köhle, Petra et al.
|
Revolving Histories
f: la répète, le foyer
|
|
|
Passerelle |
2018-04-22 |
Sentkar, David
|
ACT Performance Festival
|
|
|
à changer |
2018-04-17 |
Rickhaus, Andrea
|
ACT Performance Festival
|
|
|
Staying with the Really Fake |
Kubrak, Anastasia et al.
|
Next Generation
|
|
|
Striptease |
2019 |
Peñaloza, Maricruz et al.
|
Revolving Histories
PERNEO-International Encounter of Performance Art
|
|
|
Changing aesthetical taste in ottoman interiors in the 1740s |
2021 |
Songulen, Nazli
|
Memory Full
|
|
|
HfG-Archiv Ulm Online. From Exclusive Reality to Inclusive Virtuality |
2021 |
Short, Carolina et al.
|
Memory Full
|
|
|
untitled |
2015-05-02 |
Joss, Maurice
|
ACT Performance Festival
|
|
|
The musical instruments in the Swedish State Trophy Collection |
2006 |
Riben, Hans
|
HSM-Datenbanken
|
|
|
Direktions- und Generalbasspraxis in Händels Oratorien Die Orgelstimmen zum «Alexanderfest» |
2025 |
Leininger, Thomas
|
OpenAccessPublikationen
|
|
|
From the series “Cleaning service” |
2020-05-11, 20:00 |
Falcón, Talía et al.
|
ACT Performance Festival
|
|
|
Stern_Act_IV_Solo_II ('Music Skin') |
2018-04-18 |
Šterns, Ilmārs
|
ACT Performance Festival
|
|
breathing psoas |
2021 |
Plonka, Anja et al.
|
Revolving Histories
Filmfest Bochum
|
|
Stretch your world |
2019 |
Morger, Priska et al.
|
Institut Mode-Design Web
|
|
|
Stern_Act_IV ("Music Skin") |
2018-04-22 |
Šterns, Ilmārs
|
ACT Performance Festival
|