| Titel | Jahr | author | Event |
|---|---|---|---|
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 | ||
Headbang |
|||
Re-engaging with Design History through the Practical Turn |
2021 | ||
Rybeben am Hof Maximilians I. |
2015 | ||
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary |
2017 | ||
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis |
2020 | ||
La guitare en France vers 1800 Textes du projet de recherche |
2014 | ||
Masterplan |
2017 | ||
But that's another story, Part II (Jeff Wall, Milk 1984) |
2010-04-11 |
Schauecker, Renée
|
|
Committing to decolonial feminist practices of reuse |
2024 | ||
Ina Lohr – Seele der Schola Cantorum Basiliensis |
2016 | ||
Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) |
2015 | ||
Reconstructing the “fifres” of the Grande Écurie |
2009 | ||
Early bowed instruments around 1500, Part I (Italy) |
2013 | ||
Performing Negotiations: Protocol |
2019-2020 |
Nilo, Dawn
|
|
Presse ACT 2022 |
2022 | ||
Sun-Catchers, Sensors, Shape-Shifters: Reclaiming the Intelligence of Plants |
2025 | ||
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 | ||
Französische Satzmodelle des Grand Siècle |
2020 | ||
Gross Geigen und Rybeben Nordalpine Viola da gamba-Ensembles im frühen 16. Jahrhundert |
2015 | ||
Hubert Cuypers: A Self-Assertive Musician |
2016 | ||
Jeu d'enfant. Tirelire, monnaie. |
2015-04-11 | ||
Ein Polyamorie Manifest |
|||
Book of Abstracts of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
Wie der Wind chunt cho blase |
2015-04-11 | ||
Schwarm |
2015-04-11 | ||
Ohne Titel |
2015-04-11 | ||
video conflictum |
2010 | ||
Shifts in Mapping: Maps as a Tool of Knowledge |
2021-11-26 | ||
“Aimable vainqueur” – version 1 with “musica antigua” Recording of the music |
2023 |
Gal, Mojca; Grobelnik, Thys
|
|
Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 |
2021 | ||
Capability of Design for “Modernizing” the Memories of History: The Jerusalem Committee’s Ambitious Challenge |
2021 | ||
El Origen: Die Anerkennung der Identiät durch das Bild |
2020 | ||
How Can Plant Behavior Be Researched |
2025 | ||
BUMPER TO BUMPER — 1 Einfrau-Performance Leben - nicht überleben will ich! |
1983-1985 |
Vogel, Yvonne
|
43 Performances in der Schweiz, in den Niederlanden, in Deutschland, Oesterreich und den USA
|
Das fremde Gesicht |
2015-04-11 |