| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Very-tale |
2010-04-24 |
Spoolder, Mirjam
|
ACT Performance Festival
|
|
|
Im Gasthof zum goldenen Sternen |
2010-04-24 |
Chramosta, Martin et al.
|
ACT Performance Festival
|
|
|
Katalog ACT 2020 |
2020 |
ACT Performance Festival
|
|
|
|
NEUTRAL*. An exploration of the influence of grammatical gender on visual representation |
2022 |
Auburger, Stella
|
Diplom HGK
|
|
|
Über die Eigenfrequenz von Luftschlössern |
2013 |
Gerber, Eliane
|
HyperWerk
|
|
|
Leuchtdesign von morgen im Kontext der generativen Gestaltung |
2010 |
Horath, René et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
FahrAwaY - Ballett |
2021 |
Wey, Nina et al.
|
Revolving Histories
|
|
THINGS LEFT UNSAID |
2026 |
Morger, Priska et al.
|
Next Generation
|
|
|
Coast to Coast |
2016 |
Stauch, Dominik
|
Videocity_memoriav
|
|
BANG BANG: The last european Happening |
2022 |
Andereggen, Ariane et al.
|
Revolving Histories
BANG BANG - translokale Performance Geschichte:n
|
|
|
180 degree |
2016 |
Pong, Elodie
|
Videocity_memoriav
|
|
|
DER LÄNGSTE TAG / THE LONGEST DAY 2014 |
2014 |
siehe 'weitere Informationen' et al.
|
Revolving Histories
DER LÄNGSTE TAG / THE LONGEST DAY 2014 – 16 Stunden nonstop Performances unter freiem Himmel
|
|
|
Sources secondaires |
Die Gitarre in Frankreich
|
||
|
Urban Nature |
2006 |
Pfeiffer, Stella et al.
|
Revolving Histories
|
|
|
LESCORTSVERDS - The Green Courts |
2014 |
Penilla Aillaud, Maria Fernanda et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
12 Stunden Gehen |
1997 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
Pressedossier Videocity Basel – Kaliningrad |
2019 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
Performances mit der Gruppe Pszychisz Teror / Der kleine Hirnfick |
1991-1993 |
Kulka, Irena et al.
|
Revolving Histories
Diverse
|
|
Schrei |
1985 |
Hollenstein, Marcel [HALLE K] et al.
|
Revolving Histories
|
|
Tirage (La Joconde) |
2011 |
Zürrer, Anna-Sabina et al.
|
Revolving Histories
|
|
Das wilde Mammut tobt |
2001 |
Mathis, Muda [Les Reines Prochaines] et al.
|
Revolving Histories
|
|
|
RUFEN - mobile Gesangsskulptur |
2005 |
Siegfried, Walter et al.
|
Revolving Histories
|
|
SandaleHausPfirsichBrot |
1997 |
Hauert, Sibylle [Les Reines Prochaines] et al.
|
Revolving Histories
|
|
|
Salon Chismosa |
2025 |
Soliman, Gabriella
|
HyperWerk
|
|
Libertad 2.0 |
2018 |
[Parvez] et al.
|
Revolving Histories
Performance Open Air
|
|
This Box, 8. Dezember 1979 |
1979 |
Lenherr, Niklaus et al.
|
Revolving Histories
|
|
Idée Reçue |
16. Oktober 2021 |
Staehli, Nina et al.
|
Revolving Histories
-
|
|
Auftritt für zwei Schlagzeuge |
1996 |
Hiepler, Esther et al.
|
Revolving Histories
|
|
|
Forming Loving Relations To Found Goods |
2025 |
Bork, Ambre
|
HyperWerk
|
|
|
Pears will fall from the apple trees Performance Art Workshops and the Possibility of a Queer Earthly Asthetics |
2026 |
Lauritsen, Olga
|
HyperWerk
|
|
Waves |
2020 |
Stanic, Lara et al.
|
Revolving Histories
Rümlingen 2020
|
|
|
Die Skizze. Der Akt des Zeichnens als epistemischer Prozess |
2012 |
Dobler, Judith et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
BODIY |
2019 |
Orlowska, Ernestyna et al.
|
Revolving Histories
Oh Body Festival Bern
|
|
Post-Poster |
2025 |
Park, Grace Hannah et al.
|
Next Generation
|
|
|
Life-Like. Designing Emotionally Durable Products via Physical Interaction |
2017 |
Görçin, Gizem
|
Diplom HGK
|
|
Readymade Grüüschschsch — Zum Hörwissen (in) der Performancekunst |
2019 |
Weismann, Steffi et al.
|
Revolving Histories
LEFTOVER
|