| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Drag Performance |
1987, 1988 |
Cotter, Jean [EnJeanT]; [Coco]
|
Revolving Histories
Plattentaufe Musikstudio
|
|
|
The Anatomy of Photography. An Exploration of Image Aesthetics in the Realm of the Scientific Photography of Anatomical Specimens in Veterinary Medicine |
2020 |
Oesch, Michelle Aimée
|
Diplom HGK
|
|
Very-tale |
2010-04-24 |
Spoolder, Mirjam
|
ACT Performance Festival
|
|
|
Im Gasthof zum goldenen Sternen |
2010-04-24 |
Chramosta, Martin et al.
|
ACT Performance Festival
|
|
Performing Negotiations: Rotterdam |
2020 |
Nilo, Dawn et al.
|
Revolving Histories
Art Rotterdam,NL, The Performance Show, Represented by Contemporary Monk
|
|
Performing Negotiations: Brussels 2019 |
2019 |
Nilo, Dawn et al.
|
Revolving Histories
A Performance Affair, Brussels Gallery Weekend, BE
|
|
|
neuiBadi |
2011 |
Vancura, Eliane
|
HyperWerk
|
|
|
Tales of Now Here. Nomadic entanglements in hyperreality |
2017 |
Ferrari, Juan Jose
|
Diplom HGK
|
|
|
How to Visualize Emotional Expressions of Artificial Intelligence. Designing for an Affective Human-A.I. Interaction |
2020 |
Lee, Jingyu
|
Diplom HGK
|
|
|
Institut für Prozessnotation und Konnektivitätsförderung |
2018 |
Nichele, Jano
|
HyperWerk
|
|
|
Reconstructing the "fifres" of the Grande Écurie |
Berney, Boaz
|
GrandeEcurie
|
|
|
|
180 degree |
2016 |
Pong, Elodie
|
Videocity_memoriav
|
|
FahrAwaY - Ballett |
2021 |
Wey, Nina et al.
|
Revolving Histories
|
|
THINGS LEFT UNSAID |
2026 |
Morger, Priska et al.
|
Next Generation
|
|
|
Leuchtdesign von morgen im Kontext der generativen Gestaltung |
2010 |
Horath, René et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Analog Digital – Digital Analog |
2017 |
Grigoryan, Narine
|
Diplom HGK
|
|
Growing with My Digital Twin |
2026 |
Lin, Yon-Rong et al.
|
Next Generation
|
|
|
Permit F |
2008 |
Fadhil, Al et al.
|
Revolving Histories
Shifting Identities
|
|
Urban Nature |
2006 |
Pfeiffer, Stella et al.
|
Revolving Histories
|
|
|
Savez-vous planter les choux |
2011 |
Buckel, Milena [Collectif ComingOut] et al.
|
Revolving Histories
Hors-Lits IV
|
|
|
The Reciprocal Relationship of Image and Sound in Animated Film Narratives |
2018 |
Hörler, Simone Mirjam
|
Diplom HGK
|
|
|
Katalog ACT 2020 |
2020 |
ACT Performance Festival
|
|
|
|
DER LÄNGSTE TAG / THE LONGEST DAY 2014 |
2014 |
siehe 'weitere Informationen' et al.
|
Revolving Histories
DER LÄNGSTE TAG / THE LONGEST DAY 2014 – 16 Stunden nonstop Performances unter freiem Himmel
|
|
|
NEUTRAL*. An exploration of the influence of grammatical gender on visual representation |
2022 |
Auburger, Stella
|
Diplom HGK
|
|
|
Coast to Coast |
2016 |
Stauch, Dominik
|
Videocity_memoriav
|
|
12 Stunden Gehen |
1997 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
Rethinking ways of exchange |
2025 |
Thomas, Alexia
|
HyperWerk
|
|
|
Über die Eigenfrequenz von Luftschlössern |
2013 |
Gerber, Eliane
|
HyperWerk
|
|
Schrei |
1985 |
Hollenstein, Marcel [HALLE K] et al.
|
Revolving Histories
|
|
Tirage (La Joconde) |
2011 |
Zürrer, Anna-Sabina et al.
|
Revolving Histories
|
|
Das wilde Mammut tobt |
2001 |
Mathis, Muda [Les Reines Prochaines] et al.
|
Revolving Histories
|
|
BANG BANG: The last european Happening |
2022 |
Andereggen, Ariane et al.
|
Revolving Histories
BANG BANG - translokale Performance Geschichte:n
|
|
|
Interview mit Barbara Strebel im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am Critical Media Lab der HGK Basel FHNW |
2024-05-30 |
Strebel, Barbara et al.
|
Netzkulturen
|
|
|
Sources secondaires |
Die Gitarre in Frankreich
|
||
|
|
Performances mit der Gruppe Pszychisz Teror / Der kleine Hirnfick |
1991-1993 |
Kulka, Irena et al.
|
Revolving Histories
Diverse
|
|
SandaleHausPfirsichBrot |
1997 |
Hauert, Sibylle [Les Reines Prochaines] et al.
|
Revolving Histories
|