| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
A Stable of Jockeys |
2020 |
Nilo, Dawn et al.
|
Revolving Histories
WAAP Gallerlly
|
|
Fotodokumentation von videocity 2017 "∑-Summe aus der Region Basels" |
2017 |
Wetzel, Dirk
|
Videocity_memoriav
|
|
Über/Brücken |
2020 |
Abächerli, Olivia et al.
|
Revolving Histories
Nairs in movimaint
|
|
Pressedossier Videoparcours durch die Basler Innenstadt 2013 |
2013 |
Domesle, Andrea
|
Videocity_memoriav
|
|
180 degree |
2016 |
Pong, Elodie
|
Videocity_memoriav
|
|
|
William Wegman Vortrag 10. Juni 1988 |
1988 |
Wegman, William
|
Videowochen im Wenkenpark
|
|
33/45 - slow x 0.5 _ 45/33 - fast x 2 |
1988 |
Graf, Franz
|
Videowochen im Wenkenpark
|
|
|
Martha Wilson and Franklin Furnace Archive |
01.11.2018 |
Wilson, Martha
|
Archive des Ephemeren
|
|
|
65+ |
2020 |
Matiz, Meagan
|
Diplom HGK
|
|
Spielfeld Feedback |
2003, 2020 |
Stanic, Lara et al.
|
Revolving Histories
|
|
|
ROOM TO BREATHE |
2026 |
Nezheviasov, Illia
|
e-Publications
|
|
|
Implementation of GOCFL WORKFLOW for Research Data. Reporting and publication of clustered data packages |
2024 |
Lurk, Tabea
|
Werke
|
|
Plakatwand Wilde Archive |
01.11.-03.11.2018 |
von Büren, Margarit et al.
|
Archive des Ephemeren
|
|
Tube (Schlauch) |
2012 |
Bucher, Claudia et al.
|
Revolving Histories
FADO
|
|
shooting |
2017 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
GAN GAN Performance Art Festival
|
|
Resonanzschaft |
2021 |
Bastianelli, Gianfranco et al.
|
Revolving Histories
Liminoid
|
|
|
Tempo da Serpente |
1986 |
Ammann, Hanspeter
|
Videowochen im Wenkenpark
|
|
Das ideale Atelier - woher unsere Bilder kommen |
2004 |
Mathis, Muda et al.
|
Videocity_memoriav
|
|
|
word wide web Sewing a Storybook |
2025 |
Eigenheer, Julia
|
HyperWerk
|
|
|
9-5 Clock |
2016 |
Parvez, Imam
|
Videocity_memoriav
|
|
|
IF YOU CALL IT A PERFORMANCE |
2024-04-20 |
Chan, Kiki
|
ACT Performance Festival
|
|
|
Once Upon A Time |
2016 |
Mitrev, Vladimir
|
Videocity_memoriav
|
|
|
“no confidence“ |
2024-04-20 |
Sylvie
|
ACT Performance Festival
|
|
|
AWESOME TECKTONIK STREET ATTACK |
2024-04-20 |
c1tyrrocker
|
ACT Performance Festival
|
|
|
ARCHIVING SELF |
2020 |
Haupt, Tatjana Pauline Catherine
|
Diplom HGK
|
|
|
The Faggot and The Lamb (La Pédale & L’Agneau) |
2024-04-27 |
Von Bergen, Batiste
|
ACT Performance Festival
|
|
|
Forschungsprogramm Skizze |
2020-11-20 |
Team peripher_ies
|
Peripher_ies
|
|
|
Grenzgang |
2018 |
Lurk, Tabea et al.
|
Grenzgang
|
|
|
DVA I DVA/PLAKALA BI I BEZ SUZA/DAJ DAJ |
2024-04-20 |
Lukanović, Sanja
|
ACT Performance Festival
|
|
|
PLAYGROUND AGAINST ISOLATION |
2024-04-20 |
Fournier, Aline
|
ACT Performance Festival
|
|
|
WHAT AM I, IF NOT A CLOWN? |
2024-04-20 |
Tzikas, Maria-Lusie
|
ACT Performance Festival
|
|
|
ORANGERESONANCE |
2024-04-20 |
Kiranoglu, Jasmin
|
ACT Performance Festival
|
|
|
WHEN SATIETY COMES ? |
2024-04-20 |
Chataigné, Emma et al.
|
ACT Performance Festival
|
|
|
Globocity - Aufstieg und Niedergang |
2009 |
Spahr, Michael
|
Videocity_memoriav
|
|
|
Green Open Food Evolution - How to become Homo Photosyntheticus |
2021 |
Minder, Maya et al.
|
Revolving Histories
Open Source Body Festival
|
|
|
What is a performance then? | Mais qu’est ce que c’est une performance? | En realidad ¿qué es una performance? |
02.11.2018 |
Ferrer, Esther
|
Archive des Ephemeren
|