| Titel | Jahr | author | Event |
|---|---|---|---|
Dublin |
2025-05-17 |
Durisch, Larissa; Colemêrg, Azad
|
|
Silent Transformance |
2010-04-24 |
Lazic, Milenko
|
|
LET‘S GO FOR A WALK — UNDERSTANDING MY DOG |
2022 | ||
Plant_Intelligence Exhibition |
2025 |
Volkart, Yvonne; Casser, Anja
|
|
Revisit Reuse |
2024 | ||
Naïve Set Theory. Anarchiving Memory |
2018 | ||
Educación Libre |
2021 |
Saidman, Jazmín
|
|
Encounters with Ernst Krenek |
|||
Encounters with Ernst Krenek |
|||
My home has a golden Guest |
2011 |
De Pinto, Pier Giorgio
|
|
Chair de peau | SKIN QUIVER |
2015 |
Kim, TK
|
|
HUB |
2014 |
Lüber, Heinrich
|
|
Inganekwane |
2016-04-23 |
Ntuli, Phumulani
|
|
Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 |
01.11.2018 |
Schürch, Dorothea
|
|
Inganekwane |
2016-04-23 |
Ntuli, Phumulani
|
|
Ohne Titel |
2021 |
Peñaloza, Maricruz
|
PEPA - Pequeño Evento de Performance Art
|
biting back |
2025-04-12 |
Messmer, Lou
|
|
But that's another story, Part IV (August Sander, Sekretärin) |
2010-04-24 |
Schauecker, Renée
|
|
“Jouenan betiyeng jabuayenán” [The Plants that Guide] |
2025-03 | ||
Lecture I |
2015-04-10 | ||
Good Morning, Lugano |
2012 |
Fieni, Matteo
|
|
Max und Bruce "Der Brief" |
2011-04-20 |
Nitchaeff, Anna; Kohler, Lucie
|
|
AFTERTASTE: PERFORMING THE MOLECULAR ORCHESTRA |
2021 |
Scott, Jill
|
Air_Waste_Health_Water_Energy_Soil
|
From Mycelium to Solidarity: Decentralizing Knowledge and Embracing Queer Ecologies |
2024 | ||
Data Generator Pictorial |
2025 | ||
Master Plan (children’s edition) |
2014 |
Kovacevska, Verica
|
DER LÄNGSTE TAG / THE LONGEST DAY 2014 – 16 Stunden nonstop Performances unter freiem Himmel
|
WHEN SATIETY COMES ? |
2024-04-20 |
Chataigné, Emma; Bussy, Alessia; Kolja
|
|
If plants could speak... |
2019 | ||
Ausstellung Rathaus Aarau: Claudia Waldner - Aarelie`s Welt |
2014 |
Waldner, Claudia
|
Ausstellung "Im Rathaus"
|
Grinçant |
2025-05-17 |
Gronchi, Zoé
|
|
Elegance is the suavity in movement. |
2019 | ||
Movement as Medium. Investigating the Moving Body as a Tool in Graphic Design |
2019 | ||
Biombo. Home Office |
2021 | ||
TANGA TRAGEDY |
2022 | ||
Es ist zu Ende |
2015-04-11 | ||
Video Work |
2018 |