| Titel | Jahr | author | Event |
|---|---|---|---|
paradise is now |
2018 |
Shalati, Rami
|
|
3–7 |
2018 |
Regotz, Gloria
|
|
Die Frau als Gebärmaschine |
1994 |
Dietschi, Sarah
|
|
Bachelor Thesis 2014 |
2014 |
Bühler, Eva
|
|
3–7 |
2018 |
Regotz, Gloria
|
|
Somewhere to Disappear |
2015 |
Weber, Noëmi
|
|
Friesen Wiese |
2018 |
Räber, Nadine
|
|
Bachelor Thesis 2016 |
2016 |
Detta, Lara
|
|
Auslese (Bauwerke) II |
2016 |
Zürrer, Anna-Sabina
|
ZEIT VERSTREICHEN – Moment und Dauer in der Gegenwartskunst
|
XTEND Nomadic Office |
2020 | ||
Infusion |
2019 |
Atencio, Bibiane
|
|
no pic no chat |
2014 |
Hersche, Christian
|
|
Grüsse an die Verwandten |
2019 |
Byrne, Daniel
|
|
how hands touch |
2019 |
Vieli, Flurina
|
|
Zitat |
2019/2020 |
Eberle, Anna
|
|
Guck nicht so |
2019 |
Milani, Jeanne
|
|
Can't handle this |
2019 |
Bühler, Rachel
|
|
/-innen – Project Documentation |
2018 |
Liu Lipp, Laia
|
|
Bachelor 1st Year 2015 |
2015 |
Meyer, Yves
|
|
Bachelor 1st Year 2012/Bachelor Thesis 2016 |
2012/2016 |
Hauser, Linda
|
|
Affære Polar |
2019 |
Schneider, Jonas
|
|
Möglicherweise Grossmutter Morawa |
2018 |
Slattery, Yana
|
|
Ver(w)irrung |
2017 |
Eggenschwiler, Nathalie
|
|
CLAMPing - Modulare Produkte für den Campingurlaub |
2013 | ||
Kunst ist- 24 Stunden Performance |
1998 |
Weihnachtsausstellung
|
|
(CON)FUSION |
2022 | ||
HANDS AND WONDERS |
2020 | ||
Skin of a stranger |
2019 |
Kech, Florian
|
|
PAREGLISH - DIE TRACHT DES HOMO URBANUS HELVETICUS |
2018 | ||
Barfuss mit angezogenen Schuhen |
2016 |
Chudoba, Diana
|
|
Film For Go Home Collection |
2014 |
Bösch, Christa
|
|
Haut Hülle |
2017 |
Konzett, Benjamin
|
|
ASMR Shooting |
2020 |
Danz, Mara
|
|
Papin Madness |
2018 |
Loekito, Jacqueline
|
|
Stretching my guts out |
2019 |
Graber, Samantha
|
|
Where is the gold? |
2018 |
Mereu, Paolo
|