| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Besame Mucho |
2015-04-11 |
Stalder, Aline et al.
|
ACT Performance Festival
|
|
|
Drehung |
2015-04-11 |
Unternährer, Beat
|
ACT Performance Festival
|
|
|
Moderation |
2015-04-10 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Publikum/Event |
2015-04-10 |
ACT Performance Festival
|
|
|
|
Language Is Skin. I Rub My Language Against The Other. |
2015-04-10 |
Rüegger, Romy
|
ACT Performance Festival
|
|
|
Es ist zu Ende |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
apresperf.ch – Moving Performance To Text |
2015-04-10 |
Schürch, Dorothea et al.
|
ACT Performance Festival
|
|
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
Long Lake Festival, Lugano
|
|
|
Lights Off |
2016 |
Toledo, Martha et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 |
Tonkin, Leanne
|
Memory Full
|
|
|
e-flux Index #3 |
e-flux
|
e-Publications
|
|
|
|
Rybeben am Hof Maximilians I. |
2015 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary |
2017 |
OpenAccessPublikationen
|
|
|
|
Re-engaging with Design History through the Practical Turn |
2021 |
Eggink, Wouter et al.
|
Memory Full
|
|
|
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis |
2020 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
Early bowed instruments around 1500, Part I (Italy) |
2013 |
Weiner, Howard
|
Frühe Streichinstrumente um 1500
|
|
|
Headbang |
Murawski, Patricia
|
ACT Performance Festival
|
|
|
|
La guitare en France vers 1800 Textes du projet de recherche |
2014 |
Valois, Pascal
|
OpenAccessPublikationen
|
|
|
Masterplan |
2017 |
ACT Performance Festival
|
|
|
|
Ina Lohr – Seele der Schola Cantorum Basiliensis |
2016 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) |
2015 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Reconstructing the “fifres” of the Grande Écurie |
2009 |
Berney, Boaz
|
OpenAccessPublikationen
|
|
|
Performing Negotiations: Protocol |
2019-2020 |
Nilo, Dawn
|
Revolving Histories
|
|
|
Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form |
2022 |
Parisi, Noemi
|
Diplom HGK
|
|
Presse ACT 2022 |
2022 |
ACT Performance Festival
|
|
|
|
Gross Geigen und Rybeben Nordalpine Viola da gamba-Ensembles im frühen 16. Jahrhundert |
2015 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Französische Satzmodelle des Grand Siècle |
2020 |
Menke, Johannes
|
OpenAccessPublikationen
|
|
|
Hubert Cuypers: A Self-Assertive Musician |
2016 |
van Langen, Petra
|
OpenAccessPublikationen
|
|
|
Sun-Catchers, Sensors, Shape-Shifters: Reclaiming the Intelligence of Plants |
2025 |
Volkart, Yvonne et al.
|
Plant_Intelligence
|
|
|
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 |
Duculescu, Mirela
|
Memory Full
|
|
|
Book of Abstracts of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 |
Ernst, Meret; Gaspar, Mònica
|
Memory Full
|
|
|
video conflictum |
2010 |
Tedeschi, Janos
|
HyperWerk
|
|
|
Jeu d'enfant. Tirelire, monnaie. |
2015-04-11 |
Stirnimann, Nathalie
|
ACT Performance Festival
|
|
|
Ein Polyamorie Manifest |
Bärz, Julie
|
ACT Performance Festival
|
|
|
|
El Origen: Die Anerkennung der Identiät durch das Bild |
2020 |
Briceño, Giovanna León
|
HyperWerk
|
|
|
Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 |
2021 |
Portal, Fernando
|
Memory Full
|