| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Silvestro Ganassis «viola d’arco tastada» Bericht über ein Forschungsprojekt zu ihrer Kontextualisierung und Rekonstruktion |
2013 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
Application |
2023-03-14 |
Team peripher_ies
|
Peripher_ies
|
|
|
Spontaneous reactions cannot anticipate developments over time |
2024-10-21 |
Team peripher_ies
|
Peripher_ies
|
|
Sichtbar, Unsichtbar |
2015-04-11 |
Steinegger, Simone et al.
|
ACT Performance Festival
|
|
|
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun |
2015-04-10 |
Wiesel, Jörg
|
ACT Performance Festival
|
|
|
Controlling Crowds |
2015-04-11 |
ACT Performance Festival
|
|
|
|
Beyond Trinity |
2015-04-11 |
Balint, Anna et al.
|
ACT Performance Festival
|
|
|
Lecture I |
2015-04-10 |
Scheidegger, Sarina et al.
|
ACT Performance Festival
|
|
|
70 Trillion |
2015-04-11 |
Sturm, Lou
|
ACT Performance Festival
|
|
|
Zufällige Wiedergabe |
2015-04-11 |
Rüegg, Lea
|
ACT Performance Festival
|
|
|
Besame Mucho |
2015-04-11 |
Stalder, Aline et al.
|
ACT Performance Festival
|
|
|
Drehung |
2015-04-11 |
Unternährer, Beat
|
ACT Performance Festival
|
|
|
Moderation |
2015-04-10 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Publikum/Event |
2015-04-10 |
ACT Performance Festival
|
|
|
|
Language Is Skin. I Rub My Language Against The Other. |
2015-04-10 |
Rüegger, Romy
|
ACT Performance Festival
|
|
|
Es ist zu Ende |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
apresperf.ch – Moving Performance To Text |
2015-04-10 |
Schürch, Dorothea et al.
|
ACT Performance Festival
|
|
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
Long Lake Festival, Lugano
|
|
|
Lights Off |
2016 |
Toledo, Martha et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 |
Tonkin, Leanne
|
Memory Full
|
|
|
Rybeben am Hof Maximilians I. |
2015 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary |
2017 |
OpenAccessPublikationen
|
|
|
|
Re-engaging with Design History through the Practical Turn |
2021 |
Eggink, Wouter et al.
|
Memory Full
|
|
|
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis |
2020 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
Early bowed instruments around 1500, Part I (Italy) |
2013 |
Weiner, Howard
|
Frühe Streichinstrumente um 1500
|
|
|
Headbang |
Murawski, Patricia
|
ACT Performance Festival
|
|
|
|
La guitare en France vers 1800 Textes du projet de recherche |
2014 |
Valois, Pascal
|
OpenAccessPublikationen
|
|
|
Masterplan |
2017 |
ACT Performance Festival
|
|
|
|
Ina Lohr – Seele der Schola Cantorum Basiliensis |
2016 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) |
2015 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Reconstructing the “fifres” of the Grande Écurie |
2009 |
Berney, Boaz
|
OpenAccessPublikationen
|
|
|
Performing Negotiations: Protocol |
2019-2020 |
Nilo, Dawn
|
Revolving Histories
|
|
|
Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form |
2022 |
Parisi, Noemi
|
Diplom HGK
|
|
Presse ACT 2022 |
2022 |
ACT Performance Festival
|
|
|
|
Gross Geigen und Rybeben Nordalpine Viola da gamba-Ensembles im frühen 16. Jahrhundert |
2015 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Französische Satzmodelle des Grand Siècle |
2020 |
Menke, Johannes
|
OpenAccessPublikationen
|