| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Dorfgeist |
Holtz, Livni
|
Next Generation
|
|
|
|
Together Elsewhere 07: Frauke Materlik und Daniel Häller |
22.02.2022 |
Materlik, Frauke et al.
|
Together Elsewhere
|
|
|
Blimunda infected with Covid-19 in Terra Brasilis |
2021 |
Junqueira, Paola
|
Doce en Diciembre
|
|
Motet Cycles |
2018 |
Pavanello, Agnese et al.
|
Motet Cycles
|
|
I forgive you |
2016-04-23 |
Hennig Marques, Barbara et al.
|
ACT Performance Festival
|
|
|
I forgive you |
2016-04-23 |
Hennig Marques, Barbara et al.
|
ACT Performance Festival
|
|
|
Elegance is the suavity in movement. |
2019 |
Toorchi, Julia Lorenza Mir
|
Diplom HGK
|
|
|
How Will We Be Remembered?. Social Media Images as Future Remnants |
2020 |
Hallén, Evelina
|
Diplom HGK
|
|
|
Lost 696 - Shanghai’s art and design landscape changes in time! |
2012 |
Yildirimli, Mehmet et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Wiederentdeckung einer Trompette marine von F. Saraillac nach Plänen J.-B. Prins |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
LET‘S GO FOR A WALK — UNDERSTANDING MY DOG |
2022 |
Ruedin, Anne-Louise
|
Diplom HGK
|
|
|
Inganekwane |
2016-04-23 |
Ntuli, Phumulani
|
ACT Performance Festival
|
|
|
Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 |
01.11.2018 |
Schürch, Dorothea
|
Archive des Ephemeren
|
|
|
Inganekwane |
2016-04-23 |
Ntuli, Phumulani
|
ACT Performance Festival
|
|
|
Nachmittags 14.30 Teil 1 |
2021 |
Hochuli, Gisela
|
Doce en Diciembre
|
|
|
Nachmittags 14.30 Teil 2 |
2021 |
Hochuli, Gisela
|
Doce en Diciembre
|
|
|
Grinçant |
2025-05-17 |
Gronchi, Zoé
|
ACT Performance Festival
|
|
Plant_Intelligence Exhibition |
2025 |
Baumann, Sabian et al.
|
Plant_Intelligence
|
|
|
Almanaque: A Collaborative Approach to Design Research and Puerto Rican Identity |
2021 |
Alejandro, Jason et al.
|
Memory Full
|
|
|
Silent Witnesses: A Groundbreaking Idea in the 1st Millenium BC Changed the Ancient Textile Industry and Laid the Foundation for Modern Clothing Production |
2021 |
Beck, Ulrike
|
Memory Full
|
|
|
Chair de peau | SKIN QUIVER |
2015 |
Kim, TK
|
Summe2017
|
|
RiXC Art and Science Festival 2025: Plants Intelligence - Symposium |
2025 |
Castelblanco, Felipe et al.
|
Plant_Intelligence
|
|
|
Rotweisskariert |
2009 |
McKean, Christopher Scott
|
HyperWerk
|
|
|
Ganassi – Arbeitstagebuch |
2014 |
Schürch, Stephan
|
OpenAccessPublikationen
|
|
|
drinnen & draussen, 2005-2006 |
2009-03-19 |
Flückiger, Edith; Levy, Roger
|
migma
|
|
|
AURALROOTS |
2014 |
Scott, Jill et al.
|
Revolving Histories
Sensoria
|
|
|
Max und Bruce "Der Brief" |
2011-04-20 |
Nitchaeff, Anna; Kohler, Lucie
|
ACT Performance Festival
|
|
|
Hand me down |
2019 |
Müller, Désirée
|
Diplom HGK
|
|
|
NO FUN |
2019 |
Preissle, Lisa
|
Diplom HGK
|
|
|
2017-04-22 |
Heitzmann, Marco
|
ACT Performance Festival
|
|
|
Gaffurius Codices Online |
2019 |
Pavanello, Agnese et al.
|
HSM-Datenbanken
|
|
|
Postcard 1: I wish you were here. A virtual tour on the FHNW Campus |
2021 |
Steffen, Noemi et al.
|
Memory Full
|
|
|
Postcard 8: Fake Memories. Fake chalets on the landscape |
2021 |
Schneider, Julia et al.
|
Memory Full
|
|
|
Postcard 6: collective memory. Following Bally's footsteps |
2021 |
Fey, Yannick et al.
|
Memory Full
|
|
|
Postcard 11: Memory and Gender. A visit to the exhibition "Robes Politiques", Textilmuseum St Gallen |
2021 |
Zufferey, Nicolas et al.
|
Memory Full
|
|
|
Postcard 7: Memory full! A visit to the Schaudepot at Museum für Gestaltung, Zurich |
2021 |
Eggmann, Niklas et al.
|
Memory Full
|