| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Gelbe Musik / Yellow Music |
2014 |
König, Lysann et al.
|
Revolving Histories
Das Ohr an der Tür
|
|
flowmotion |
2011 |
Pavloski, Roland
|
HyperWerk
|
|
|
How Fuzzy Thinking Emerges the Way We Look at Pollution |
2021 |
Laner, Sabina
|
Diplom HGK
|
|
Frühstückskaffee |
2012 |
Bucher, Claudia et al.
|
Revolving Histories
Earlybird
|
|
|
...the stranger and the white noise |
2016 |
Navarro, Elia
|
Summe2017
|
|
|
“Jouenan betiyeng jabuayenán” [The Plants that Guide] |
2025-03 |
Quinchoa Juajibioy, Ayenan
|
Plant_Intelligence
|
|
Unter der Oberfläche III |
2016 |
Bucher, Claudia et al.
|
Revolving Histories
Horwer Kulturprojekt Halbinsel
|
|
|
Naïve Set Theory. Anarchiving Memory |
2018 |
Zaccuri, Andrea
|
Diplom HGK
|
|
|
Educación Libre |
2021 |
Saidman, Jazmín
|
Doce en Diciembre
|
|
|
Command + Shift + ? |
Serra, Bérénice et al.
|
Next Generation
|
|
|
|
Ausschreibung Zürich |
2013-07-07 |
ACT Performance Festival
|
|
|
|
Paul A.I. Chair. Der Stuhl, der eine Pause braucht |
2021 |
Forkin, Adrian
|
Diplom HGK
|
|
|
Chläusin |
2025-06-07 |
’nSchuppel et al.
|
migma
|
|
|
Silent Transformance |
2010-04-24 |
Lazic, Milenko
|
ACT Performance Festival
|
|
|
Dublin |
2025-05-17 |
Durisch, Larissa et al.
|
ACT Performance Festival
|
|
|
Dorfgeist |
Holtz, Livni
|
Next Generation
|
|
|
Ein Versuch glücklich zu werden |
2011 |
Sidler, Celia et al.
|
Revolving Histories
Museumsnacht Basel
|
|
|
Together Elsewhere 07: Frauke Materlik und Daniel Häller |
22.02.2022 |
Materlik, Frauke et al.
|
Together Elsewhere
|
|
|
Blimunda infected with Covid-19 in Terra Brasilis |
2021 |
Junqueira, Paola
|
Doce en Diciembre
|
|
Motet Cycles |
2018 |
Pavanello, Agnese et al.
|
Motet Cycles
|
|
|
I forgive you |
2016-04-23 |
Hennig Marques, Barbara et al.
|
ACT Performance Festival
|
|
|
I forgive you |
2016-04-23 |
Hennig Marques, Barbara et al.
|
ACT Performance Festival
|
|
|
Elegance is the suavity in movement. |
2019 |
Toorchi, Julia Lorenza Mir
|
Diplom HGK
|
|
|
How Will We Be Remembered?. Social Media Images as Future Remnants |
2020 |
Hallén, Evelina
|
Diplom HGK
|
|
|
LET‘S GO FOR A WALK — UNDERSTANDING MY DOG |
2022 |
Ruedin, Anne-Louise
|
Diplom HGK
|
|
|
Lost 696 - Shanghai’s art and design landscape changes in time! |
2012 |
Yildirimli, Mehmet et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Wiederentdeckung einer Trompette marine von F. Saraillac nach Plänen J.-B. Prins |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Inganekwane |
2016-04-23 |
Ntuli, Phumulani
|
ACT Performance Festival
|
|
|
Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 |
01.11.2018 |
Schürch, Dorothea
|
Archive des Ephemeren
|
|
|
Inganekwane |
2016-04-23 |
Ntuli, Phumulani
|
ACT Performance Festival
|
|
|
Nachmittags 14.30 Teil 1 |
2021 |
Hochuli, Gisela
|
Doce en Diciembre
|
|
|
Nachmittags 14.30 Teil 2 |
2021 |
Hochuli, Gisela
|
Doce en Diciembre
|
|
|
Grinçant |
2025-05-17 |
Gronchi, Zoé
|
ACT Performance Festival
|
|
Plant_Intelligence Exhibition |
2025 |
Baumann, Sabian et al.
|
Plant_Intelligence
|
|
|
Chair de peau | SKIN QUIVER |
2015 |
Kim, TK
|
Summe2017
|
|
|
Almanaque: A Collaborative Approach to Design Research and Puerto Rican Identity |
2021 |
Alejandro, Jason et al.
|
Memory Full
|