| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Für die Bäume / Aktions- und Interventionsreihe unter freiem Himmel |
2017-2018 |
Hausheer, Angela et al.
|
Revolving Histories
Bsinti Kultur Braunwald
|
|
|
Künstliche Intelligenz im Industriedesign |
Herger, Stephan Sebastian
|
Next Generation
|
|
|
|
Soothing lag on OSI reference model layer 3 |
Bedö, Viktor; Stucki, Michael
|
Next Generation
|
|
|
|
(UN)SEEABLE |
Morger, Priska; Moser, Malou
|
Next Generation
|
|
|
|
ohne Titel |
1995 |
Klassen, Norbert et al.
|
Revolving Histories
Performance Index
|
|
|
Critical FAIRness |
Kolb, Lucie
|
e-Publications
|
|
|
[43`] |
2012 |
Klingler, Monica et al.
|
Revolving Histories
TR4NS, 4ème Edition
|
|
Santa Madera |
2019 |
Kinsman, Stefan et al.
|
Revolving Histories
|
|
|
ALLES IST GUT, SOLANGE DU WILD BIST |
Roth, Evelyne et al.
|
Next Generation
|
|
|
|
Für die Vögel - Performatives Sound-Poem |
2022 |
Hausheer, Angela et al.
|
Revolving Histories
Heimspiel 2021
|
|
|
Homesickness. Searching for a Way Home through an Image |
Kruk, Natalia et al.
|
Next Generation
|
|
|
|
Beyond the Pews |
Lim, Jisoo et al.
|
Next Generation
|
|
|
Confronting authorship, constructing practices – how copyright destroys collective practice |
2019 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
x |
2018 |
Britschgi, Nina
|
Diplom HGK
|
|
2017-04-22 |
Franco, Lorysmar
|
ACT Performance Festival
|
|
|
|
SOUNDLAB |
Bisseck, Iyo et al.
|
Next Generation
|
|
|
|
Trace Place |
2009 |
Kovacevska, Verica et al.
|
Revolving Histories
BELGRADE: NONPLACES – Art in Public Space
|
|
|
The Power to Name and Frame |
2025 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
Striving 4 connection & searching for soft spaces |
Kober, Seraina Maria et al.
|
Next Generation
|
|
|
|
Dessobons and archaeodesign |
2021 |
Gutierrez Borrero, Alfredo
|
Memory Full
|
|
|
Paper & co |
2013-06-23 |
De Visscher, Alice
|
PPP-ProgrPerformancePlattform
|
|
Performance „Katjuscha“ |
2009 |
Hansemann, Svetlana et al.
|
Revolving Histories
“Let’s raise quiet armies”, Marks Blond Project
|
|
|
Archivprozesse. Über Logiken des Sammelns und die Medialität von Artefakten eines Performance-Archivs |
02.11.2018 |
Büscher, Barbara
|
Archive des Ephemeren
|
|
About Time |
2022 |
Borgunska, Mercedes et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
Revisit Reuse |
2024 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
Baan Khi village |
2026 |
Phupa, Adisak et al.
|
e-Publications
|
|
|
glass piece#3 |
2017-04-22 |
Gobet, Mélanie
|
ACT Performance Festival
|
|
|
glass piece #2 |
2017-04-11 |
Gobet, Mélanie
|
ACT Performance Festival
|
|
|
glass piece#2 |
2016-05-31 |
Gobet, Mélanie
|
ACT Performance Festival
|
|
Konzertauftritt Act Bern 2007 |
2007 |
[it sounds like rita] et al.
|
Revolving Histories
|
|
|
Conditions |
2020 |
Wittmer, Mahtola et al.
|
Revolving Histories
zentral! Kunstmuseum Luzern
|
|
|
Notes on Togethermessss |
Wylde, Gillian et al.
|
Next Generation
|
|
|
|
Friendship makes Worlds |
2026 |
Jenni, Simon
|
HyperWerk
|
|
|
Aquelarre |
2021 |
Funes, Luján
|
Doce en Diciembre
|
|
|
Friendship Makes Worlds |
Jenni, Simon
|
Next Generation
|
|
|
Hit the Performer |
2017 |
Mouci, Marc et al.
|
Revolving Histories
Legs Basel 2017
|