| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Without qualities |
2011 |
Brabant, Myriam et al.
|
Revolving Histories
|
|
|
Porte Rouge zeigt Karabuki |
2018 |
Iselin, Joa [Porte Rouge] et al.
|
Revolving Histories
|
|
Kaufrausch |
2007 |
Fiedler, Heike et al.
|
Revolving Histories
|
|
THE NEVER HAPPENING PERFORMANCES |
2020, 2021 |
[Lea & Adrian]
|
Revolving Histories
|
|
FahrAwaY - Drüll |
2020 |
Wey, Nina et al.
|
Revolving Histories
|
|
This Box, 8. Dezember 1979 |
1979 |
Lenherr, Niklaus et al.
|
Revolving Histories
|
|
Stand-Punkt: Dreh-Punkte, Performance in 3 Teilen, 10. Januar 1982 |
1982 |
Lenherr, Niklaus et al.
|
Revolving Histories
Winterfestival Wolhusen
|
|
Resonanzschaft |
2021 |
Bastianelli, Gianfranco et al.
|
Revolving Histories
Liminoid
|
|
HitStories - Diane Rivoire & Johana Blanc — JE/TU (NOUS) |
2021 |
Rivoire, Diane et al.
|
Revolving Histories
|
|
|
DIE LÄNGSTE NACHT / THE LONGEST NIGHT |
2019 |
Müller, Irene et al.
|
Revolving Histories
Siehe Namen unter weitere Informationen
|
|
Mit Zahlen spielen |
2007 |
Hiepler, Esther et al.
|
Revolving Histories
|
|
|
commedia del arte |
1992 |
Borter, Ingrid et al.
|
Revolving Histories
|
|
|
En aimant ton chat, je passe outre ma culture. Walkie-Talkie |
2017 |
Furtwängler, Gilles et al.
|
Revolving Histories
Form Concrete to Liquid
|
|
|
Tu vois ce que je veux dire. Talkie-Walkie |
2017 |
Marioni, Andrea; Senn, Simon
|
Revolving Histories
Form Concrete to Liquid
|
|
|
Performance |
2017 |
Lebon, Elizabeth; Senn, Simon
|
Revolving Histories
Form Concrete to Liquid
|
|
her harsh, high and deep voice: a polyphony |
2021 |
Dâmaso, Lara; Lamarre, Gaia
|
Revolving Histories
Les Urbaines
|
|
Das magische Theater: ein Performance Labyrinth |
2017 |
[Kabinett der Visionäre] et al.
|
Revolving Histories
Langer Samstag 2017
|
|
|
Zeitkapsel, Eingrabung von Wein im See |
04.02.2022 - 2072 |
Schicht, Martin G.
|
Revolving Histories
|
|
Rage / Going Public 1 / Omomoto / Loosing or keeping contro in a more or less joyful way / Mensche, Tiere, Sensationen |
2019, 2014, 2011, 2010, 2006 |
Spieser, Vreni et al.
|
Revolving Histories
BONE - Festival für Aktionskunst;
Innerschweizer Jahresausstellung;
Schlachthaus Bern / öffentlicher Raum Stadt Zug / Fribourg Stadt+ Bollwerk / Kunstmuseum Lu-zern / White Space Zürich
|
|
|
Nachbau, Verkohlung und Vergrabung einer verschollenen Collage von Hannah Höch in einer Zeitkapsel |
2018 |
Schicht, Martin G. et al.
|
Revolving Histories
|
|
|
Reartefaktung Merzbau (Kurt Schwitters) |
2022 |
Schicht, Martin G. et al.
|
Revolving Histories
|
|
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
Long Lake Festival, Lugano
|
|
Wellenberge |
2016 |
Bänninger, Christine et al.
|
Revolving Histories
lesjoursdesephemeres.ch
|
|
Barcode Scenario |
From 2016 onwards |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
|
|
Covid Joggers Act |
2020 |
Fieni, Matteo et al.
|
Revolving Histories
|
|
Ritratti Metropolitani |
2010-2014 |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
|
|
|
Das parasitäre Prinzip. Ein Schnipselvortrag |
2005 |
Petrini, Daniela [data | Auftrag für parasitäre* Gastarbeit] et al.
|
Revolving Histories
PARASITuatION
|
|
|
The Convertible Entrance Ticket |
2006 |
Jacomella Bonola, Patricia et al.
|
Revolving Histories
Il Museo Insostenibile
|
|
|
Solo Performances |
1995-2021 |
Schürch, Dorothea
|
Revolving Histories
|
|
3D Tetris |
2010 |
Maag, Irene et al.
|
Revolving Histories
Ausstellung "this is not my beautiful home"
|
|
|
SPEAK UP |
2016 |
Wildberger, Martina-Sofie et al.
|
Revolving Histories
|
|
|
2/3 - La Léproserie |
2013 |
Stauffer, Gregory et al.
|
Revolving Histories
FAR°festival Nyon
|
|
|
Silly Walks |
2016 |
Stauffer, Gregory et al.
|
Revolving Histories
Les weekends du Roy
|
|
Un Peu Squeeze |
2019 |
Furtwängler, Gilles et al.
|
Revolving Histories
Programme Commun 2019
|
|
Say Yes or Die |
2012 |
Anthony, Sarah et al.
|
Revolving Histories
Extra Ball
|
|
|
The Anti-Productive Space |
2016 |
Jacomella Bonola, Patricia et al.
|
Revolving Histories
Manifesta 11
|