| Titel | Jahr | author | Event |
|---|---|---|---|
Pears will fall from the apple trees Performance Art Workshops and the Possibility of a Queer Earthly Asthetics |
2026 | ||
OH-I-LOVE-YOU |
1994 |
Wili, Anmari
|
|
Rubbish - Verpackung gesehen durch experimentieren mit gestalterischen und künstlerischen Mitteln |
2013 | ||
BarrioCom |
2003 | ||
Stabstreffen |
2016 |
Maag, Irene
|
Rahmenprogramm Performancepreis Schweiz 2016
|
PARADISE PARASITE |
2020 |
Müller, Britta Liv
|
THINGS THAT DANCE
|
Die Pause |
2016 | ||
Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. |
2022 | ||
Lauschen |
1996 und 1997 |
Rust, Dorothea; Scwarzer, Jeremias; Sen, Quido; Schenker, Margrit
|
Verschiedene
|
this is fashion |
2017 | ||
Hey! |
2016 |
[Celia & Nathalie Sidler]
|
|
Resonanzschaft |
2021 |
Bastianelli, Gianfranco
|
Liminoid
|
Inside beehive hot day solid |
2020-07-03 | ||
Visual Communication for Gender Inclusive Makeup |
2022 | ||
Typegenosse – An Interactive Learning and Teaching Platform |
2020 | ||
Interview mit Annette Schindler im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am IXDM der HGK Basel FHNW |
2024-07-01 | ||
Pressedossier Videoparcours durch die Basler Innenstadt 2014 |
2014 | ||
Performances mit der Gruppe Pszychisz Teror / Der kleine Hirnfick |
1991-1993 |
Kulka, Irena
|
Diverse
|
pressespiegel 2015 |
2015 | ||
BETARHYTHMICA |
2003 | ||
Body & Soul |
2012-04-05 | ||
Aneignungsobjekte - Lass mich nicht hängen - Konstruktive Interventionen im öffentlichen Raum |
2013 | ||
Readymade Grüüschschsch — Zum Hörwissen (in) der Performancekunst |
2019 |
Weismann, Steffi; Eisenächer, Janine
|
LEFTOVER
|
Rethinking ways of exchange |
2025 | ||
Mental sanctuary: Analysis on visual parameters |
2021 | ||
Visual Authenticity – Experiments, analyses & synthesis on designing authentic corporate imagery |
2017 | ||
2022-10_electroDraw&Sound-Symphony_THE RESTLESS_(11min) |
2022 |
Regina Simon
|
|
Conceptualizing Art Documentation: A New Awareness on Preservation and Exhibition Practices |
2022 | ||
Reconstructing the "fifres" of the Grande Écurie |
|||
Interview mit Barbara Strebel im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am Critical Media Lab der HGK Basel FHNW |
2024-05-30 | ||
The Anatomy of Photography. An Exploration of Image Aesthetics in the Realm of the Scientific Photography of Anatomical Specimens in Veterinary Medicine |
2020 | ||
How to Visualize Emotional Expressions of Artificial Intelligence. Designing for an Affective Human-A.I. Interaction |
2020 | ||
ausencia |
2000 |
Marusic, Zeljka
|
Ernte Jahresausstellung
|
TELL ME |
2019 |
Meier, Léa; [Old Masters]; Perazzini, Julia; Wenger, Anaïs
|
Antigel
|
neuiBadi |
2011 | ||
LIVE LOAD // DEAD LOAD |
2021 |
LIVE LOAD // DEAD LOAD
|