| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Archivo corporal |
2025-05-17 |
Rouche, Emy
|
ACT Performance Festival
|
|
|
Grinçant |
2025-05-17 |
Gronchi, Zoé
|
ACT Performance Festival
|
|
|
Together Elsewhere 61: Rikki Winde and Mazi Moreto |
2026-10-26 |
Winde, Rikki; Moreto, Mazi
|
Together Elsewhere
|
|
|
Exploring the Void. Leaving out of information as a communicative potential in photography |
2019 |
Meyer, Marianna Helen
|
Diplom HGK
|
|
|
Figurative Daily Objects. The Potential of Pictorial Metaphors |
2018 |
Tobler, Laura
|
Diplom HGK
|
|
|
Investigating the Syntactic Aspects of Doodling for Graphic Design |
2019 |
Singh, Abhay Pratap
|
Diplom HGK
|
|
|
A Stable of Jockeys |
2020 |
Nilo, Dawn et al.
|
Revolving Histories
WAAP Gallerlly
|
|
Fotodokumentation von videocity 2017 "∑-Summe aus der Region Basels" |
2017 |
Wetzel, Dirk
|
Videocity_memoriav
|
|
|
Revealing the Medium. On Exposing Systems Through Failures |
2018 |
Nüssli, Michelle
|
Diplom HGK
|
|
|
Fluid Portraits |
2025-05-17 |
Bärenfalle, Luis
|
ACT Performance Festival
|
|
|
Hommage |
2025-05-17 |
Tschanz, Sawwa
|
ACT Performance Festival
|
|
|
2025-05-17 |
Onaiwu, Ekan
|
ACT Performance Festival
|
|
|
Über/Brücken |
2020 |
Abächerli, Olivia et al.
|
Revolving Histories
Nairs in movimaint
|
|
|
Sound Sculptures |
2025-05-18 |
Wang, Juli (Xueqing) et al.
|
ACT Performance Festival
|
|
|
Martha Wilson and Franklin Furnace Archive |
01.11.2018 |
Wilson, Martha
|
Archive des Ephemeren
|
|
|
Somniloquie du perroquet |
2012 |
Dimension Émotionnelle
|
Videocity_memoriav
|
|
Spielfeld Feedback |
2003, 2020 |
Stanic, Lara et al.
|
Revolving Histories
|
|
Tube (Schlauch) |
2012 |
Bucher, Claudia et al.
|
Revolving Histories
FADO
|
|
shooting |
2017 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
GAN GAN Performance Art Festival
|
|
Resonanzschaft |
2021 |
Bastianelli, Gianfranco et al.
|
Revolving Histories
Liminoid
|
|
Das ideale Atelier - woher unsere Bilder kommen |
2004 |
Mathis, Muda et al.
|
Videocity_memoriav
|
|
|
Untitled |
2025-05-10 |
Identification Service Facility et al.
|
ACT Performance Festival
|
|
|
Merging Spaces |
2018 |
Surenthiran, Suresh
|
Diplom HGK
|
|
|
The poetic story of a state-of-mind. Sharing emotional states through self-illustrated graphic narratives |
2021 |
Schwitzguébel, Aude
|
Diplom HGK
|
|
|
Visual Communication for Gender Inclusive Makeup |
2022 |
Iribe, Sakurako
|
Diplom HGK
|
|
|
Nature – Culture. Reshaping the Nature – Culture Division by Creating a Digital Game |
2020 |
Frei, Lena
|
Diplom HGK
|
|
|
Borders*: a visual study of the border as a social, geographic, and economic entity in the era of mass migration. |
2020 |
Savin, Annalisa
|
Diplom HGK
|
|
|
Personal Visualization of Medication Information |
2018 |
Van Oss, Antoinette
|
Diplom HGK
|
|
|
Drawing Limmatplatz, for Instance. An Exploration into Epistemic Processes in Drawing |
2020 |
Sitter, Anja
|
Diplom HGK
|
|
|
Corporate Structures Revealed. Diagrammatic Perspectives into the History of Novartis |
2018 |
Ritschard, Aaron
|
Diplom HGK
|
|
|
Visualizing Utopia: Switzerland after the Labour Society |
2020 |
Nguyen, Hoang
|
Diplom HGK
|
|
|
One Two Tie My Shoe. Motion and Gesture in a Digital Environment |
2018 |
Malpeso, Sonia
|
Diplom HGK
|
|
|
Photo Reportages in Travel Magazines. Analysis of Photo Motifs |
2018 |
Waibel, Catherine Louise
|
Diplom HGK
|
|
|
A Designer’s Journey. The poster: A valid medium for transformative design? |
2021 |
Yaman, Ahmet Kerem
|
Diplom HGK
|
|
|
An Atlas About Letterforms. An Atlas About Letterforms Letters to investigate the format of the Atlas today |
2019 |
Rizzotti, Mario Fabio
|
Diplom HGK
|
|
|
NEUTRAL*. An exploration of the influence of grammatical gender on visual representation |
2022 |
Auburger, Stella
|
Diplom HGK
|