| Titel | Jahr | author | Event |
|---|---|---|---|
Tunnel |
2020-07-03 | ||
Salon Chismosa |
2025 | ||
Digitale Kunst retten und erhalten |
2012-04-12 | ||
Web Recording Motet Cycles Website |
2018 | ||
Interiors 2 |
2007 |
Grau, Pascale
|
|
Visualisierungsstrategien von Archiven der Performance- und Medienkunst am Beispiel von VALIE EXPORT |
03.11.2018 | ||
enlacer/ umarmen |
2022 | ||
Gespannte Gefährten |
2002 |
Clay, Arthur
|
Gare de Nord
|
Library Underground – A reading list for a coming community |
2016 | ||
Speck und Stoff |
2021-2022 |
Goessi, Markus
|
|
Open Session |
2019 |
[künstlerinnenkollektiv marsie]
|
GIMME SHELTER
|
| 2018-04-18 |
Lang, Larissa
|
||
EIN AUS EIN AUS |
2024-04-20 |
Anna Irina
|
|
Venus wants you rotten |
2025-05-17 |
Messmer, Lou
|
|
Towards Love |
2015-04-11 |
Kadiša, Anastasija; Skryabina, Polina
|
|
| 2017-04-22 |
Sabo, Rim
|
||
DITHER! |
2017 |
Martins, Yann Patrick
|
|
Eat Art Apéro and Lunch |
01.11.2018 |
Erni, Antonia
|
|
Grenzgang |
2018 | ||
Das Exchange Programm |
2015 |
Geröcs, Julia
|
Swiss Art Awards
|
Critical FAIRness |
|||
PP |
2010-04-24 | ||
Brot |
2010-04-24 | ||
Reflexion |
2001 |
Streiff, Barbara
|
Reflexion - Network
|
FEED#4 (StandUp Philosophy) |
2017 |
Schoch, Steven
|
BIKINI Performance Dayzz
|
Assemblaggio d`intimità /as-sem-blag-gio / d` / in-ti-mi-tà sostantivo femminile |
2019 | ||
The light coming from between the leaves |
2020-07-03 | ||
The light coming from the window |
2020-07-03 | ||
Eidolon |
2014 |
[TK KIM]; Alioth, P.
|
|
More verb, less noun – Publishing as collective practice |
2019 | ||
Together Elsewhere 59: Ivonne Navas Dominguez and Anja Plonka |
2026-08 |
Navas Dominguez, Ivonne; Plonka, Anja
|
|
Archivprozesse. Über Logiken des Sammelns und die Medialität von Artefakten eines Performance-Archivs |
02.11.2018 | ||
I Object |
2020, 2021 |
[The Field]
|
|
..and beyond |
2018-04-17 |
Welburn, Astrid
|
|
The Power to Name and Frame |
2025 | ||
Tutorial |
2020-04-20 |
Schiatarella, Alessandro
|