| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Transitions of Space |
2018 |
Paik, Haejeung
|
Diplom HGK
|
|
|
Video Work |
2018 |
Parr, Ellen
|
Diplom HGK
|
|
|
Temporal Sentiments |
2018 |
Seiderman, Briana
|
Diplom HGK
|
|
|
2.5 dimensional. a superflat nature |
2021 |
Rappold, Audrey
|
Diplom HGK
|
|
|
BEYOND THE FOREST. Die simulierte Natur |
2021 |
Jauslin, Oliver
|
Diplom HGK
|
|
|
The poetic story of a state-of-mind. Sharing emotional states through self-illustrated graphic narratives |
2021 |
Schwitzguébel, Aude
|
Diplom HGK
|
|
|
Designing and understanding pictorial language. Pictograms: their readability and the relation between them and illustrations |
2021 |
Han, Soojin
|
Diplom HGK
|
|
|
Fensterblicke |
2022 |
Broman, Hanna
|
Diplom HGK
|
|
|
inspiration engine |
2022 |
Zufferey, Nicolas
|
Diplom HGK
|
|
|
Einblicke in die vierte Natur. «Wo sich das Lebendige sichtbar über das Ordnende zeigt» (Zitat von Lois Weinberger) |
2020 |
Kunz, Benjamin
|
Diplom HGK
|
|
|
Entlang Zäunen und Fassaden |
2020 |
Kunz, Lucian
|
Diplom HGK
|
|
|
Visual Communication for Gender Inclusive Makeup |
2022 |
Iribe, Sakurako
|
Diplom HGK
|
|
|
Exploration in Augmented Reality |
2018 |
Hodel, Elias
|
Diplom HGK
|
|
|
Nature – Culture. Reshaping the Nature – Culture Division by Creating a Digital Game |
2020 |
Frei, Lena
|
Diplom HGK
|
|
|
Borders*: a visual study of the border as a social, geographic, and economic entity in the era of mass migration. |
2020 |
Savin, Annalisa
|
Diplom HGK
|
|
|
Zwischen Fühlen und Sein |
2021 |
Violetti, Céline
|
Diplom HGK
|
|
|
was ist kindlich? |
2022 |
von der Crone, Monika
|
Diplom HGK
|
|
|
Personal Visualization of Medication Information |
2018 |
Van Oss, Antoinette
|
Diplom HGK
|
|
|
Exploring the Void. Leaving out of information as a communicative potential in photography |
2019 |
Meyer, Marianna Helen
|
Diplom HGK
|
|
|
Interpreting Latin letterforms with Chinese writing gesture |
2020 |
Chen, Jiongmian
|
Diplom HGK
|
|
|
Flowing Nature. On Translating the Visual Qualities of the Rhine River |
2021 |
Marie, Simone
|
Diplom HGK
|
|
|
Invisible Borders. An outsider's perspective through a participatory approach |
2022 |
Rubaba, Michael Munyaradzi
|
Diplom HGK
|
|
|
Intimität |
2019 |
Obrist, Rahel
|
Diplom HGK
|
|
|
FALL-BLATT |
2019 |
Käser, Florian
|
Diplom HGK
|
|
|
space images |
2019 |
Burkard, Ronja
|
Diplom HGK
|
|
|
Drawing Limmatplatz, for Instance. An Exploration into Epistemic Processes in Drawing |
2020 |
Sitter, Anja
|
Diplom HGK
|
|
|
Un peu juste. Balade visuelle et interrogative à travers la variété des pratiques quotidiennes |
2018 |
Scrima, Zoé
|
Diplom HGK
|
|
|
Eine andere Natur |
2018 |
Schiltknecht, Sarah
|
Diplom HGK
|
|
|
Corporate Structures Revealed. Diagrammatic Perspectives into the History of Novartis |
2018 |
Ritschard, Aaron
|
Diplom HGK
|
|
|
Found Footage |
2019 |
Poffet, Laurent
|
Diplom HGK
|
|
|
DressCode |
2022 |
Weber, Marco
|
Diplom HGK
|
|
|
Visualizing Utopia: Switzerland after the Labour Society |
2020 |
Nguyen, Hoang
|
Diplom HGK
|
|
|
Die Schande vom Espenmoos. Eine Installation zu St. Galler Emotionen des 20. Mai 2008 |
2020 |
Rietmann, Benjamin
|
Diplom HGK
|
|
|
Poltergeist, 1982. Ein Remake für das Filmplakat |
2020 |
Schindler, Lea
|
Diplom HGK
|
|
|
Das Abbild rundum |
2020 |
Pirlet, Adrian
|
Diplom HGK
|
|
|
Gare de Marseille-Saint-Charles |
2018 |
Kalkbrenner, Luise
|
Diplom HGK
|