Drawing Limmatplatz, for Instance. An Exploration into Epistemic Processes in Drawing |
2020 |
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Corporate Structures Revealed. Diagrammatic Perspectives into the History of Novartis |
2018 |
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Visualizing Utopia: Switzerland after the Labour Society |
2020 |
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One Two Tie My Shoe. Motion and Gesture in a Digital Environment |
2018 |
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Photo Reportages in Travel Magazines. Analysis of Photo Motifs |
2018 |
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Information Visualization to Help the Elderly Understand Smartphones |
2020 |
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A Designer’s Journey. The poster:
A valid medium for transformative design? |
2021 |
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Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 |
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Looking into Fog. An investigation of fog as a design element |
2019 |
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Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. |
2022 |
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A Visual Designer Reflects on Flagship Species. How a More-Than-Human Approach Can Help Reframing Our Relationship With Nature |
2022 |
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Workshop Matters. Visual inquiry into co-workshops |
2022 |
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Figurative Daily Objects. The Potential of Pictorial Metaphors |
2018 |
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Revealing the Medium. On Exposing Systems Through Failures |
2018 |
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An Atlas About Letterforms. An Atlas About Letterforms Letters to investigate the format of the Atlas today |
2019 |
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NEUTRAL*. An exploration of the influence of grammatical gender on visual representation |
2022 |
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The Reciprocal Relationship of Image and Sound in Animated Film Narratives |
2018 |
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How Do We Organize Our Reading Direction?. On the Organization of Our Reading Direction (this is more title-like, though your version is also correct) |
2018 |
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The invisibility of visible bodies.. Unravelling the psychological consequences of social and gender discrimination. |
2021 |
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No Longer Body—Still Body. Images that reflect contemporary discussion on the given bodies |
2021 |
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Seeing Klybeck. Visualizing an urban community |
2019 |
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Outside the Frame. Framing strategies in the climate change movement |
2019 |
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The Visual Lateral Directionality of Images. With a focus on the aspects: language-reading direction and handedness |
2019 |
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Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form |
2022 |
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RAMEN BURGERS AND GIANT TACOS. (RE-) IMAGINING AUTHENTICITY VIA FOOD AESTHETICS IN A CHANGING CONTEXT |
2018 |
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The Virtual Materiality of a Digital Image. Developing the contemporary editing techniques of digital photography by using the virtual materiality of an image |
2019 |
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Expanding the Fields of Creativity Through Programming. Programming as a Means to Enhance the Entwurfsphase of the Design Process |
2020 |
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The Digital Senses. Awareness of our Interactions with Digital Objects |
2018 |
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VISUAL COMMUNICATION OF INTERDEPENDENCE. A Theoretical-practical research into interdependence: a visual form of emptiness |
2020 |
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Precarious Graphic Design. Analysis and exploration of fictional projects as a manifestation of precariousness in the graphic-design profession |
2019 |
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A Visual Investigation of Feminism. A deconstruction of visual culture towards the design of a new visual language |
2019 |
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Alternative Wayfinding Tools. New methods for guiding people through spaces of leisure |
2019 |
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A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs |
2020 |
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The EcoFamily. Climate Change and the Ecologically Friendly Educational Tool |
2020 |
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Typography Processing in Augmented Reality. Fitting/Linking/Adapting Texts to Large Objects in Open Space |
2020 |
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Living Traces. A Speculative Experiment on Visual Memories |
2022 |
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