| Titel | Jahr | author | Event |
|---|---|---|---|
prepared eggs |
2018-04-18 |
Van Helleputte, Emile
|
|
prepared eggs |
2018-04-22 |
Van Helleputte, Emile
|
|
Why You Are Taking My Picture |
2018 |
Mihaylova, Albena
|
Second Edition «Tree of Life. Genealogy of Bulgarian Contemporary Art»
|
DOPE |
2015-04-25 |
Diamond, Milky
|
|
UnternehMENSCHoreographie |
2013 |
Kolo, Katrin
|
|
prepared eggs |
2018-04-17 |
Van Helleputte, Emile
|
|
Underground passage |
2020-07-03 | ||
My Surrealist Reality |
2022 | ||
Chapter 14 Mountain Morse |
2015 |
Guerra, Louise
|
Kunsthoch Luzern
|
Gasthaus - Fermentation and Bacteria |
2016 |
Minder, Maya
|
Master Fine Arts Degreeshow, 2016
|
Die fragmentarische Zusammensetzbarkeitsmethode |
2019 | ||
Leonhard Lechner - Historia der Passion 1 |
|||
Leonhard Lechner - Historia der Passion 1 |
|||
Leonhard Lechner - Historia der Passion 2 |
|||
Exhibitio (Pictures at an Exhibition): »Self Presentation and Self Destruction« |
2021 |
Konzert und Kunst: Bilder einer Ausstellung
|
|
Hekate |
2017 |
Goessi, Markus
|
|
Krallen Zeiger |
2015 |
Goessi, Markus
|
|
Move |
2014 |
Goessi, Markus
|
|
“no confidence“ |
2024-04-20 |
Sylvie
|
|
EIN CYMBALSCHLAG |
2020-05-09 |
Schmelcher, Anuk
|
|
Julchen |
2004 |
Gerosa, Gabriella
|
|
The unknown pole |
2020-04-22 |
Heller, Elischa
|
|
de-structure |
2018 | ||
Paper Struggles |
|||
“The Several Ways I’ve Died In My Imagination” |
2017 |
Fässler, Brigitte; Barandun, Niculin
|
|
Me veo muerta |
2021 |
Funes, Luján
|
|
Maag Unikat |
2016 |
Maag, Irene
|
KUNST in dr BÄIZ
|
Dear Machine |
2021 |
Gunset, Belén Romero
|
|
111 (make the unknown unknown, partialy known unknown) / Bleaching |
2018 | ||
Durch-triebe-n (both stumbling and transforming) |
2019 | ||
Encounters with Rudolf Serkin and Mstislav Rostropovich |
|||
Encounters with Rudolf Serkin and Mstislav Rostropovich |
|||
TO STYLE IS TO RESIST |
2025 | ||
I dreamed a dream we went back in time with our today‘s mind. |
2021 | ||
Salon Chismosa |
2025 | ||
Digitale Kunst retten und erhalten |
2012-04-12 |