| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020) |
2022 |
Drescher, Thomas
|
OpenAccessPublikationen
|
|
|
Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi |
2013 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
Barcode Scenario |
From 2016 onwards |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
|
|
|
Notes from Amaranth Land |
2023 |
Mensch, Julia
|
Plant_Intelligence
|
|
International Politics on Screens - A Critical Inquiry into Representations of Current Affairs Content in Moving Image Media |
2015 |
Giannone, Carola et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Detrás de la Noche [Behind the Night] |
2025 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
Interview von Margarit von Büren mit Chris Regn über die Sammlung Kasko des Kaskadenkondensators, 7.6.2010 |
07.06.2010 |
Regen, Chris et al.
|
Dokumentation Archiv Performativ
|
|
|
Understanding the Italian Trumpeters’ Method The Trumpet Ensemble Contribution to Schütz’s Psalm Settings |
2021 |
Downey, Peter
|
OpenAccessPublikationen
|
|
|
Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 |
Choi, Hansol
|
Diplom HGK
|
|
Library of Inclusions and Omissions |
2016 |
Weinmayr, Eva
|
e-Publications
|
|
|
Silvestro Ganassis «viola d’arco tastada» Bericht über ein Forschungsprojekt zu ihrer Kontextualisierung und Rekonstruktion |
2013 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
Application |
2023-03-14 |
Team peripher_ies
|
Peripher_ies
|
|
|
Spontaneous reactions cannot anticipate developments over time |
2024-10-21 |
Team peripher_ies
|
Peripher_ies
|
|
|
Sichtbar, Unsichtbar |
2015-04-11 |
Steinegger, Simone et al.
|
ACT Performance Festival
|
|
|
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun |
2015-04-10 |
Wiesel, Jörg
|
ACT Performance Festival
|
|
|
Controlling Crowds |
2015-04-11 |
ACT Performance Festival
|
|
|
|
Beyond Trinity |
2015-04-11 |
Balint, Anna et al.
|
ACT Performance Festival
|
|
|
Lecture I |
2015-04-10 |
Scheidegger, Sarina et al.
|
ACT Performance Festival
|
|
|
70 Trillion |
2015-04-11 |
Sturm, Lou
|
ACT Performance Festival
|
|
|
Zufällige Wiedergabe |
2015-04-11 |
Rüegg, Lea
|
ACT Performance Festival
|
|
|
Besame Mucho |
2015-04-11 |
Stalder, Aline et al.
|
ACT Performance Festival
|
|
|
Drehung |
2015-04-11 |
Unternährer, Beat
|
ACT Performance Festival
|
|
|
Moderation |
2015-04-10 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Publikum/Event |
2015-04-10 |
ACT Performance Festival
|
|
|
|
Language Is Skin. I Rub My Language Against The Other. |
2015-04-10 |
Rüegger, Romy
|
ACT Performance Festival
|
|
|
Es ist zu Ende |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
apresperf.ch – Moving Performance To Text |
2015-04-10 |
Schürch, Dorothea et al.
|
ACT Performance Festival
|
|
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
Long Lake Festival, Lugano
|
|
|
Lights Off |
2016 |
Toledo, Martha et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 |
Tonkin, Leanne
|
Memory Full
|
|
|
Rybeben am Hof Maximilians I. |
2015 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary |
2017 |
OpenAccessPublikationen
|
|
|
|
Re-engaging with Design History through the Practical Turn |
2021 |
Eggink, Wouter et al.
|
Memory Full
|
|
|
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis |
2020 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
Headbang |
Murawski, Patricia
|
ACT Performance Festival
|
|
|
|
Masterplan |
2017 |
ACT Performance Festival
|