| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Dear Machine |
2021 |
Gunset, Belén Romero
|
Doce en Diciembre
|
|
Was wollen wir? |
2019 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
Gruppenausstellung "Wie wir arbeiten wollen – Kollektives Handeln und künstlerische Komplizinnenschaft"
|
|
Presse ACT 2022 |
2022 |
ACT Performance Festival
|
|
|
|
Please Peace |
2022 |
Lugeon, Ariane et al.
|
Revolving Histories
SIM Gallery Exhibition
|
|
Ferngesteuert |
2011 |
[Beuystoys&Mudisten] et al.
|
Revolving Histories
ACT Basel 2011
|
|
|
BANG BANG: Pièce distinguée N°45 |
2022 |
Bellato,Piera [La Ribot] et al.
|
Revolving Histories
BANG BANG - translokale Performance Geschichte:n
|
|
|
PlasticArc.. Throw your Guilt away the way we throw out our trash! |
2022 |
Huber, Alice
|
Diplom HGK
|
|
|
111 (make the unknown unknown, partialy known unknown) / Bleaching |
2018 |
Sari, Dorian Ozhan
|
Diplom HGK
|
|
Streifenweise Selbstreflexion |
2021 |
Pfister-Köfler, Hansjörg [Mirzlekid et al.
|
Revolving Histories
PerFORM¡ Das kleine Performance Festival
|
|
|
Design for Seniors |
Dafa, Nensi
|
Next Generation
|
|
|
DESIGN EXPLORATION BY PARAMETRIC TOOLS |
2017 |
Fathi, Sabrina et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Amazonian Pineapple |
2022 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
Utopia Nations (Checkpoint) |
2008 |
Fadhil, Al et al.
|
Revolving Histories
Seek Refuge
|
|
|
FEED#2 (Stand-Up Philosophy) |
2016 |
Schoch, Steven et al.
|
Revolving Histories
KUNST in dr BÄIZ
|
|
SandaleHausPfirsichBrot |
1997 |
Hauert, Sibylle [Les Reines Prochaines] et al.
|
Revolving Histories
|
|
T – sacred |
2008 |
Pfeiffer, Stella et al.
|
Revolving Histories
|
|
|
Together Elsewhere 59: Ivonne Navas Dominguez and Anja Plonka |
2026-08 |
Navas Dominguez, Ivonne et al.
|
Together Elsewhere
|
|
|
Durch-triebe-n (both stumbling and transforming) |
2019 |
Schennach, Svenja
|
Diplom HGK
|
|
Star |
2010 |
Mouci, Marc et al.
|
Revolving Histories
Performance Wettbewerb Basel «Sicht auf das Original»
|
|
Drain |
2020-07-03 |
van Gelder, Pia
|
Peripher_ies
|
|
Sullivans Creek, cemented |
2020-07-03 |
van Gelder, Pia
|
Peripher_ies
|
|
Unter der Oberfläche II |
2016 |
Bucher, Claudia et al.
|
Revolving Histories
Horwer Kulturprojekt Halbinsel
|
|
|
I dreamed a dream we went back in time with our today‘s mind. |
2021 |
Kager, Ilja
|
Diplom HGK
|
|
|
DITHER! |
2017 |
Martins, Yann Patrick
|
Summe2017
|
|
Auslese (Malerei IV) |
2019 |
Zürrer, Anna-Sabina et al.
|
Revolving Histories
TURNERline
|
|
|
Tutorial |
2020-04-20 |
Schiatarella, Alessandro
|
ACT Performance Festival
|
|
|
Marked Days |
Roberts, Claire
|
Next Generation
|
|
|
|
Encounters with Ernst Krenek |
Krenek, Ernst
|
OpenAccessPublikationen
|
|
|
|
Encounters with Ernst Krenek |
Krenek, Ernst
|
HSM-Datenbanken
|
|
|
Body-Temperature |
2013 |
Rust, Dorothea et al.
|
Revolving Histories
Performance-Day «Body-Temperature», im Rahmen von Delhi Day mit Workshop für Künstler*innen und Student*innen aus Indien
|
|
|
Silent screaming |
2025 |
Steyn, Melissa
|
Werke
|
|
|
Venus wants you rotten |
2025-05-17 |
Messmer, Lou
|
ACT Performance Festival
|
|
|
Other Spaces |
Hörler, Simone et al.
|
Next Generation
|
|
|
Unter der Oberfläche I |
2015 |
Bucher, Claudia et al.
|
Revolving Histories
Horwer Kulturprojekt Halbinsel
|
|
On how to be Disgusting |
2020 |
König, Lysann et al.
|
Revolving Histories
Must or Not – Fokus Performance & Fotografie
|
|
|
Visualisierungsstrategien von Archiven der Performance- und Medienkunst am Beispiel von VALIE EXPORT |
03.11.2018 |
Folie, Sabine
|
Archive des Ephemeren
|