| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
An Atlas About Letterforms. An Atlas About Letterforms Letters to investigate the format of the Atlas today |
2019 |
Rizzotti, Mario Fabio
|
Diplom HGK
|
|
|
Interview mit Barbara Strebel im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am Critical Media Lab der HGK Basel FHNW |
2024-05-30 |
Strebel, Barbara et al.
|
Netzkulturen
|
|
Crossing the Boundaries |
2015 |
Blaser, Dragana et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Rushnyk |
Pelekhai, Diana et al.
|
Next Generation
|
|
|
|
Beyond the Smile - Design of a campaign to raise awareness about depression |
2018 |
Schenner, Gabriela et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Groß Geigen, Vyolen, Rybeben - Large-size String Instruments in North-Alpine Sources around 1500 |
2015 |
Frühe Streichinstrumente um 1500
|
|
|
|
Living Traces. A Speculative Experiment on Visual Memories |
2022 |
Aram, Iman
|
Diplom HGK
|
|
|
Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) |
2015 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Encoding Mobility and Sonic Territories: Mobile Architecture and the Decolonial Ear |
2026 |
Omole, Katerine
|
HyperWerk
|
|
|
REFRAME |
2011 |
Bomsdorf, Lisa
|
HyperWerk
|
|
|
GenerativeSysteme |
2008 |
Herzog, Leander
|
HyperWerk
|
|
|
Miss wired & Moss wild |
2018 |
Massol, Guillaume et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Groß Geigen, Vyolen, Rybeben - Les grands instruments à cordes frottées dans les sources au nord des Alpes autour de 1500 |
2015 |
Frühe Streichinstrumente um 1500
|
|
|
|
Diary of a Nonrealization |
2023 |
Fonti, Laura
|
HyperWerk
|
|
|
Ritotop |
2018 |
Bühlman, Linda
|
HyperWerk
|
|
ohne Titel |
2022 |
Baer, Monika et al.
|
Revolving Histories
|
|
|
VALUE |
2021 |
Mozer, Thorsten et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
flowmotion |
2011 |
Pavloski, Roland
|
HyperWerk
|
|
|
Vitalisation of unused space. The example of the Freilager-Platz |
2019 |
Fischesser, Mathieu
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
DESIGN EXPLORATION BY PARAMETRIC TOOLS |
2017 |
Fathi, Sabrina et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
The Iconography of the Viola da gamba in Ganassi's Context |
2013 |
Papiro, Martina
|
Frühe Streichinstrumente um 1500
|
|
|
Rethinking Human-Coral Symbiosis |
Serra, Bérénice et al.
|
Next Generation
|
|
|
|
Die Pause |
2016 |
Vilfroy, Philippe
|
HyperWerk
|
|
|
Future of Diagnostics and Laboratory in 2050 |
Kazemi, Kosar
|
Next Generation
|
|
|
|
Zum bewegten Bild |
2011 |
Grob, Dominik
|
HyperWerk
|
|
|
The Iconography of the Viola da gamba in Ganassi's Context |
2013 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Das kommunikative Museum - Neue Zugänge zu Dauerausstellungen |
2014 |
Büchel, Julia et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Technology and its social impact |
2019 |
Odriozola, Pablo
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Die «Écuries» von Versailles |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Filmische Dokumentation videocity 2019 "Loneliness" eBoard Congress Center Basel |
2019 |
Gresenz, Julian
|
Videocity_memoriav
|
|
|
Zur Ikonographie der Viola da gamba im Umfeld Ganassis |
2013 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Hubert Cuypers: A Self-Assertive Musician |
2016 |
van Langen, Petra
|
OpenAccessPublikationen
|
|
|
HANDLE WITH CARE |
Fink, Marion et al.
|
Next Generation
|
|
|
|
HOMECOMING. Multiplicity, Mobility and Composition: Embracing the attributes of Ubuntu on a journey of rediscovery through cultural heritage and cultural comprehension in design |
2019 |
Blaser, Chioma Adeyemi
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Perspiraterie |
2014 |
Schäfer, Felicia
|
HyperWerk
|
|
|
R.Mutt |
2009 |
Edens, Saskia
|
Videocity_memoriav
|