| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Sustainable interiors for families |
2021 |
Ruiz Cozcolluela, María et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Notes from Amaranth Land |
2023 |
Mensch, Julia
|
Plant_Intelligence
|
|
An intersectional feminist approach to publishing. It’s not only about what I share, but how I share it |
2024-11 |
Weinmayr, Eva
|
e-Publications
|
|
|
Max und Bruce "Der Brief" |
2011-04-20 |
Nitchaeff, Anna; Kohler, Lucie
|
ACT Performance Festival
|
|
|
Pressedossier Videocity Basel – Kaliningrad |
2019 |
Domesle, Andrea
|
Videocity_memoriav
|
|
Pressedossier Videoparcours durch die Basler Innenstadt 2013 |
2013 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
Zur Ikonographie der Viola da gamba im Umfeld Ganassis |
2013 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
FORÊT D'O |
2018 |
Bösch, Maya et al.
|
Revolving Histories
Up Festival
|
|
|
Hybris |
2018-05-05 |
Beyeler, Livio
|
ACT Performance Festival
|
|
vermessen - fragen - verkörpern |
2017, 2018 |
Buol, Silvia et al.
|
Revolving Histories
Regionale 18, "Ausstellung Archiquest"
|
|
Crossing |
2017 |
Wittmer, Mahtola et al.
|
Revolving Histories
Kunsthoch Luzern
|
|
|
Durch die Augen des Chaos |
Niederhauser, Kim et al.
|
Next Generation
|
|
|
|
MESMERIZING MEMBRANE |
Lüthi, Sarah; Roth, Evelyne
|
Next Generation
|
|
|
|
The Yellow Chair Tracing Color through Memory, Pigment, and Material Practice |
2026 |
Maczka, Barbara
|
HyperWerk
|
|
|
initiis … connecting the dots |
2013 |
Käufeler, Patricia
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Ina Lohr - Early Compositions |
2017 |
HSM-Datenbanken
|
|
|
|
Lights Off |
2016 |
Toledo, Martha et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
CONFETTI : jusqu’à l’explosion / CONFETTI : until it pops / CONFETTI : bis es knallt |
2022 |
Gobet, Mélanie et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 |
Tonkin, Leanne
|
Memory Full
|
|
«Oceanic Issues - Mensajes Oceánicos» |
2021 |
Saemann, Andrea; Regn, Chris
|
Doce en Diciembre
|
|
Sheltering shared Spaces and Moments in Friction |
2015 |
Wiederkehr, Olivia et al.
|
Revolving Histories
24hours-Project
|
|
|
TAPED |
1975 |
Scott, Jill et al.
|
Revolving Histories
Body action in the public space
|
|
Was wäre wenn? Vom Spekulieren und Handeln für die Zukunft - Exhibition |
2025-11-28 |
Kerksieck, Nicolas et al.
|
Plant_Intelligence
|
|
|
Silent Transformance |
2010-04-24 |
Lazic, Milenko
|
ACT Performance Festival
|
|
P.e.p.a |
2021 |
Beltran, Annalia et al.
|
Revolving Histories
P:E:P:A: pequenio evento performance
|
|
|
Application |
2023-03-14 |
Team peripher_ies
|
Peripher_ies
|
|
ESKIN PERFORMANCES FOR THE VISUALLY CHALLENGED in BASEL (2019) and in DURBAN (2018) |
2019 |
Scott, Jill et al.
|
Revolving Histories
ESKIN 5 Basel
|
|
All es verschlingt! |
2017 |
Luv, Linda; Fasel, Patric
|
Revolving Histories
ACT Luzern
|
|
|
Lesung aus dem autobiographischen Versuch eines Transvestiten, Schneeberger Vogelsangs Wanderlusttheater oder Die Schule der Melancholie der X Noëme |
2018-04-14 |
Schneeberger, Christoph et al.
|
ACT Performance Festival
|
|
|
Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020) |
2022 |
Drescher, Thomas
|
OpenAccessPublikationen
|
|
|
Etoile |
2019 |
Wenger, Anaïs et al.
|
Revolving Histories
Project Space / CAC
|
|
|
Spontaneous reactions cannot anticipate developments over time |
2024-10-21 |
Team peripher_ies
|
Peripher_ies
|
|
Kiss Me |
2016 |
Mouci, Marc et al.
|
Revolving Histories
Legs Zürich
|
|
marsie & You |
2016 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
Erstes Geplauder
|
|
|
Re-engaging with Design History through the Practical Turn |
2021 |
Eggink, Wouter et al.
|
Memory Full
|
|
|
Responding |
03.11.2018 |
Schade, Sigrid
|
Archive des Ephemeren
|