| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
C17 Hodie nobis de virgine |
Compère, Loyset
|
Motet Cycles
|
|
|
LichtBlick |
2002 |
Koepfli, Doris
|
HyperWerk
|
|
|
A new flow. The influence of scenography on the perception and narration of public space |
2021 |
Parri, Margherita et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
River |
2020-05-26 |
Gauthier, Philippe-Aubert
|
Peripher_ies
|
|
|
metoso |
2012 |
Winterberg, Michel
|
HyperWerk
|
|
|
Soundlab |
2025 |
Esengo Ndoum, Jérémy
|
HyperWerk
|
|
|
Burning Stars |
2021 |
Holscher, Verena et al.
|
Revolving Histories
|
|
|
HIGHLY SENSITIVE PERSON (HSP) A KIND OF DIARY. |
2022 |
Garnier, Sophie
|
HyperWerk
|
|
|
HIGHLY SENSITIVE PERSON (HSP) A KIND OF DIARY. |
2022 |
Garnier, Sophie
|
HyperWerk
|
|
myFunerals #1 purification |
2013 |
Luedi, Juerg et al.
|
Revolving Histories
ACT Performancefestival der Schweizer Kunsthochschulen
|
|
Pedro Meier – 2016 – Body Counting – Vor Jahren arbeiteten hier Menschen - Performance – Art Campus Attisholz Areal – Schweiz |
2016 |
Meier, Pedro et al.
|
Revolving Histories
Art Campus Attisholz – Kettenreaktion 2016
|
|
|
C13a Quam pulchra es (8 motets) |
Weerbeke, Gaspar van
|
Motet Cycles
|
|
|
M264 O admirabile commercium |
Josquin des Prez
|
Motet Cycles
|
|
|
M265 Quando natus es |
Josquin des Prez
|
Motet Cycles
|
|
|
Pressedossier Videoparcours durch die Basler Innenstadt 2013 |
2013 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
Der Raum nach dem Werk Zugänge und Ausschlüsse in Ausstellungsräumen |
2026 |
Müller, Noah
|
HyperWerk
|
|
|
The Prisoners Dilemma Model +- staged |
2015 |
Naegelin, Barbara et al.
|
Revolving Histories
Masterpräsentation
|
|
|
AbstractNonsense |
2008 |
Tellini, Alessandro
|
HyperWerk
|
|
|
METAFESTIVAL |
2004 |
Kirmis, Constanze
|
HyperWerk
|
|
My shoes |
2025 |
Wollscheid, Carolyn et al.
|
Next Generation
|
|
Inner Yard |
2020-04-17 |
Kyrou, Maria
|
Peripher_ies
|
|
|
Perspiraterie |
2014 |
Schäfer, Felicia
|
HyperWerk
|
|
|
Incubator for Design Cultures: Abschlusspublikation des Weiterbildungsprogramms 2022-2025 |
2025 |
Meyer, Marianna Helen et al.
|
Incubator for Design Cultures
|
|
|
Interview mit Reinhard Storz im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am IXDM der HGK Basel FHNW |
2024-11-07 |
Storz, Reinhard et al.
|
Netzkulturen
|
|
Pedro Meier, 2019, The last Mohicans, Shamanic Climate Change Performance, Installation, Fluxus DADA, by Shaman Pedro Meier Multimedia Artist, Art Campus Attisholz |
2019 |
Meier, Pedro et al.
|
Revolving Histories
Art Campus Attisholz – Kettenreaktion 2019
|
|
|
Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 |
01.11.2018 |
Schürch, Dorothea
|
Archive des Ephemeren
|
|
Deponie du Parfum Atomique |
1984 |
[Ateliergemeinschaft koprod] et al.
|
Revolving Histories
Scharf / Unscharf
|
|
|
Affecting Bubbles |
2024 |
Neuenschwander, Jan
|
HyperWerk
|
|
|
Pressedossier ∑-Summe aus der Region Basels - Matthias Aeberli, Pascale Grau, Parvez Imam, Dirk Koy, Vladimir Mitrev |
2017 |
Domesle, Andrea et al.
|
Videocity_memoriav
|
|
Censored Desna |
2025 |
Hollaus, Invar Torre et al.
|
Next Generation
|
|
|
C12a Ave mundi domina |
Weerbeke, Gaspar van
|
Motet Cycles
|
|
|
|
C16 Ave domine Iesu Christe |
Compère, Loyset
|
Motet Cycles
|
|
|
Der Fremde, Verfremdete, Entfremdete Körper |
2014 |
Spoolder, Mirjam et al.
|
Revolving Histories
Regionale 2014
|
|
Olymp illuminiert - Zeus Tagebuch |
2016 |
Meier, Pedro et al.
|
Revolving Histories
Art Campus Attisholz – Kettenreaktion 2016
|
|
|
Death of Women: The Dark Side of Modern Design History |
2021 |
Midal, Alexandra
|
Memory Full
|
|
|
Say Yes or Die |
2014 |
Anthony, Sarah et al.
|
Revolving Histories
|