| Titel | Jahr | author | Event |
|---|---|---|---|
Pas |
2016 |
Caflisch, Sibilla
|
|
Radical Certainty |
2021 | ||
An Atlas About Letterforms. An Atlas About Letterforms Letters to investigate the format of the Atlas today |
2019 | ||
Collaborations |
2018 | ||
liquid - candy |
2006 |
Widauer, Nives
|
|
Mehr als alte Radio-Apparate: Erlebnis im Mittelpunkt |
2017-07-16 | ||
Der Raum nach dem Werk Zugänge und Ausschlüsse in Ausstellungsräumen |
2026 | ||
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 | ||
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 | ||
200 Selbstporträts |
2017 | ||
| 2012-05-11 |
Zehnder, Christian
|
||
John Cage – A House Full of Music |
2012-06-17 | ||
System und Norm. Video-Installation, 7-Kanal |
2018 | ||
Responding |
03.11.2018 | ||
Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction |
2013 | ||
Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction |
2013 | ||
Feel the vibe. 2017; Mixed Media auf Spiegel, 50 × 40 cm |
2017 | ||
Sympoetic Desires |
2020 |
Franceschini, Frida Giulia; Mateva, Elma; Trueheart, Louise
|
|
Polymorphic Sensibilities |
2019 |
Bruckner, Johanna
|
|
Outside the Frame. Framing strategies in the climate change movement |
2019 | ||
Konzept |
2023 | ||
Pressemappe HAUSS(a)EGEN 1995 |
1995 | ||
Uuh Niki |
2026 |
Regn, Chris; Madörin, Fränzi;
|
|
Pressespiegel 2019 |
2019 | ||
the big sellout |
1998 |
Ausstellung "Switzerland on the move Pulchri Studio, The Hague"
|
|
Motet Cycles Bibliography |
2018 | ||
Filmische Dokumentation videocity 2019 "Loneliness" eBoard Congress Center Basel |
2019 |
Gresenz, Julian
|
|
Co cut |
2013 | ||
Jahreszyklus |
2009-2010 |
Pfeiffer, Stella
|
|
Authentisch |
2018 | ||
Plastic Be/ings |
2016 | ||
inputout series |
2009 | ||
Rotterdam Application |
2018 | ||
passepartout, what goes up must come down, 2005 |
2005 |
Ausstellung "Unruhe bitte!, Theaterhaus Gessnerallee Zurich"
|
|
The wrong work at the wrong time for the wrong place, 1991 |
1991 |
Ausstellung "8 X 2 AUS 7"
|
|
Living Traces. A Speculative Experiment on Visual Memories |
2022 |